Atlas Orion

Daily $

Atlas Orion

The atlas line of lenses is an affordable way to get into the anamorphic look without breaking the bank. With a unique look and aesthetic this allows your project to stand out! Call for more info.

40mm | 65mm| 100mm In stock now

Hawk B-Series

Daily $

Hawk B-Series

These vintage Hawk anamorphic lenses give you the film look you are after. All with a fast T-Stop. Call for more info.

Kowa Anamorphic

Daily $

Kowa Anamorphic

Another set of vintage anamorphic glass. All lenses with fast T-Stop. These lenses have been rehoused for maximum flexibility. Call for more info.

Zeiss Master Anamorphic

Daily $

Zeiss Master Anamorphic

A range of seven high-performance prime lenses, the ARRI Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras. For the first time, a perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out-of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses.

Cooke Anamorphic

Daily $

Cooke Anamorphic

All of the anamorphic lens characteristics demanded by filmmakers today with the Cooke Look® and oval bokeh. That’s the Cooke Anamorphic /i Look. Images beautifully rendered for film and especially suited for use with digital cameras. The Anamorphic /i lens correct aberrations exceptionally well over the entire image area – astigmatism, lateral and longitudinal colour – that will render shape, form and soul to your images.

Tyler Mini-Gyro

Daily $

Tyler Mini-Gyro
Tyler Minigyro Stabilizing Camera Mount
is one of the first stabilizing camera mounts to go from one shooting platform, i.e. helicopter to another such as, car, motorcycle, ATV, etc., in one easy set up format. The latest Tyler stabilizing camera mount with great versatility. It’s compact size makes it the perfect choice for working in tight spaces.
Some features of the Tyler Minigyro stabilizing Camera Mount:
variable position handles, camera quick release mounting plate, adjustable tilt head for shooting up or down and specially developed shock tube to eliminate vibration and support the Minigyro and camera package. There are 2-Kenyon K-8 gyros which provide opposing forces to enhance a smooth shot.  The Minigyro runs on 24 -28 volt battery.

Tyler Middle Mount II

Daily $

Tyler Middle Mount II

The middle mount is a side mount designed for all but the largest of camera packages. It provides 100 degrees of pan, tilt and roll, making it ideal for air to air, air to ground, scenic aerials or fast action sequences. Straight forward tracking shots can be made by crabbing the helicopter, though wind conditions may not always make this possible.

With its counterbalanced free-floating and gyro-stabilised mount arm, the middle mount helps deliver stable and dynamic images. The operator sits within with the mount and has direct ‘hands on’ control, giving a natural ‘organic’ feel to camera moves.

Tyler Nose Mount

Daily $

Tyler Nose Mount

FAA / STC Approved For:

Eurocopter AS350 / AS355 (Astar  / TwinStar)

Bell 206 / 206L (Jet Ranger / Long Ranger)

Optimum Camera Types

Red – Alexa – Panavision

DSLR, and Any Industrial Video Camera    

       

             Max. Camera Wt:  39 lb..         Focal Range: Wide to Medium

             Install Time: 60 minutes           Point of View: Front (for to aft)

             Movement: Tilt 200 degrees     Stabilization: Fixed

Additional Features

Five inch color LCD NTSC Monitor (PAL also available)

Digitally controlled frame rates from 6-100 fps including 29.97 fps.

Counter

Iris Control

Night Lights for illuminating the Control Panels

Arri M90 High Speed

Daily $

Arri M90 High Speed

High-speed ballasts are starting to become more important with the high-speed HD cameras. Up until the M90, 4K was the largest wattage high-frequency ballast out there, so it’s such a benefit to have this availability now. This is the biggest, brightest unit you’ll find with a high-speed ballast. Allowing you to shoot at frame rate 1,000 FPS or higher.

Arri M40 High Speed

Daily $

Arri M40 High Speed

ARRI’s new generation of ballasts incorporates an AutoScan feature that ensures optimum light and image quality with a minimum of effort for high-speed recording up to 1,000 fps and beyond.

Arri Skypanel

Daily $

Arri Skypanel

The SkyPanel has been tested here at Redman. We can confirm that this light works at frame rates as high as 2400 FPS.

Nila Boxer

Daily $

Nila Boxer

The Nila Boxer is an excellent replacement for an 800 to 1200 watt HMI, or a 1200 to 2000 watt tungsten fixture, while drawing a mere 250 watts. The Nila Boxer does not flicker or break, even in the harshest environments. Built in dimmers are DMX controllable, and the Boxer’s 90-240 volt supply works anywhere in the world.

Sumo Space Light

Daily $

Sumo Space Light

• Powerful Output up to 13,500 Lux [1,254 fc] at 3 m [10 ft]

• Bi-Color, Smooth and Accurate Color Adjustment 3,000-6,000 K

• Ultra High Color Rendition TLCI 99, CRI 95

• Interchangeable Optics for 30°, 60°, 120° Beam Angle

• 0-100% Dimming Range

• Flicker Free at Infi nite Frame Rates

• DMX/RDM, Ethernet and Wireless Interfaces

• Passive Cooled, No Fans or Moving Parts

• 500 W Power Consumption • Fixture Weight 5.5 Kg [12 lbs]

Sumo Space Light Spec Sheet

Luminys 10K Softsun

Daily $

Luminys 10K Softsun
Wattage: 10,000
Lamp Type: Enhanced Spectrum Plasma™
Color Temperature:      . 5,000º Kelvin
CRI: +96
Dimensions: 68”L x 23”H x 48″D
(172.72 x 58.42 x 121.92 cm)
Weight: 160 Pounds
(72.58 Kilograms)

Briese Focus 77

Daily $

Briese Focus 77

Focus 77 is a key-light for ultra-smooth harmonic progressions. Due to its soft reflective reflector-coatings it covers up some errors in the make-up and smoothes out wrinkles, without appearing flat. That makes the focus 77 to one of the most popular Beauty- and Close Up-lights in Photographic- and Filmstudios worldwide.

Our Briese light is offered with a 1.2K HMI or Tungsten globe.

 

 

Aura Soft 4K & 2.5K

Daily $

Aura Soft 4K & 2.5K

The OpTex Aurasoft delivers a truly natural soft light where you want it, when you want it and at the power level and color temperature you need. And, being a direct light, there are no diffusers, no reflectors – NO SECONDARY SHADOWS! Whether you’re shooting Film, Video or Stills, in the studio or on location, Aurasoft will deliver an astonishingly even, virtually shadowless, soft natural light of stunning quality across an exceptionally large area.

All these remarkable operational benefits are due to the unique, innovative and patented reflector design. Aurasoft’s superb quality of light is no accident. The reflector consists of thousands of tiny, individual spheroidal convex mirrors. Each mirror reflects angled beams of light that crisscross one another, reducing the directness and producing an effect of softness never before achieved. Moire patterning is avoided by varying the mirror size and position. The reflector is mounted in an all new, extremely robust housing designed to stand up to the rigors of film and video location use and is equally well suited to studio shoots.

Interchangeable HMI and Tungsten lampheads make color temperature changes a simple procedure. All lampheads are dimmable. HMI is compatible with most ballasts available from a wide range of manufacturers.

The Aurasoft 600 is available with a 3K Tungsten, 1.2K HMI or 2.5K HMI lamphead.

4K Arc Light Efx Piggyback

Daily $

4K Arc Light Efx Piggyback

When size is a restriction on any location, clients know to request a ballast-in-head fixture. The 4kw piggyback uses the same lamp head as the standard 4kw fixture, but with the ballast built into the bottom of the unit for space conservation. No head cables necessary!

Arc Light Efx Britelight 7K

Daily $

Arc Light Efx Britelight 7K

The Xenotech Britelight 7000 portable system is the brightest portable searchlight system of it’s size available anywhere in the world. This specialized three-phase searchlight system is designed to withstand the rigors of daily use in motion picture production, rental, and other high demand searchlight applications, the Xenotech Britelight 4000 portable system is a specialized high-wattage searchlight system.

The lamp head optical system utilizes a unique 7000 watt short-arc xenon lamp and a high efficiency short focal length electroformed parabolic reflector to produce the most intense beam of collimated, daylight-balanced light available.
The optical system also incorporates a motorized focus mechanism that allows the beam angle to be adjusted from the lamp head, ballast, or from a remote location when using the optional remote control system. Power control switches located on the rear of the lamp head allow the lamp to be ignited and extinguished at the lamp head as well as the ballast and in remote control locations.

The lamp head cooling system utilizes redundant high-volume, low-velocity blowers to achieve a level of cooling performance far in excess of any comparable system. This level of cooling allows the lamp head to be used in the most demanding temperatures without fear of failure. In addition to its cooling efficiency the cooling system incorporates extensive sound absorbing, vibration dampening, and baffling to minimize the cooling system sound level.

The new Xenotech high-current globe interface allows the globe to be serviced or replaced from the front of the lamp head with just the removal of the front lens holder. The lamp head yoke terminates in a standard 1-1/8″ pin, allowing the use of all stands, hanging, and mounting devices configured for this size pin.

The Britelight 7000 lamp head is safety listed as “suitable of wet locations” by ETL

Cineped Rotational Slider

Daily $

Cineped Rotational Slider

Includes:
(1) Camera slider – 3.5ft rotational
(1) Cineped Quattro/ 4leg
(1) 100mm adapter for fluid head
(1) 150mm adapter for fluid head
(2) Carrying Cases

* Fluid head is not included.

To learn more click here.

Dana Dolly

Daily $

Dana Dolly

Designed for the times where you just want to do a little 6′ to 8′ dolly move without a lot of setup. The Dana Dolly is easy to set up, can be used with a variety of track options, and can be supported using standard junior stands, apple boxes, or the ground, whatever the shot requires.

Whether you’re an established professional or just getting started, the Dana Dolly is a great solution for adding production value to your shoot. Designed to be flexible, affordable, and easy to set up. Designed by a key grip with over 20 years’ experience in all types of production, the design is both simple and practical. The Mitchell Mount can take all types of camera heads with available adapters. The sixteen- wheel design with floating trucks provides a smooth glide. The track ends and center support can use any 1 1/4″ pipe as a track: aluminum, stainless steel, etc. So if you’re on location and don’t want to pack track, you can stop by a homecenter and pick up some pipe or conduit as an alternative to the Schedule 80 aluminum pipe we recommend for everyday use.

eMotimo Spectrum ST4

Daily $

eMotimo Spectrum ST4

If you’re renting a Dana Dolly, Motorize it with the eMotimo spectrum ST4. This kit will get you up and running with a motorized 4-axis system. Shooting with heavy payloads? The spectrum / Dana Dolly integration supports up 15lbs for video moves (more than any of the other sliders we integrate with).

Add your spectrum ST4 to your Dana Dolly in minutes. No drilling or custom tools required.  Included quick releases and thumbscrews help to keep things easy. Just plug in 2 cables and a battery to shoot 4 axes.

4 axis Controller (Pan/Tilt/M3/M4). Typically Pan/Tilt/Slide/Focus.

Spectrum Size: 7.4 x 7.3 x 5″ (18.7 x 8.5 x 12.7 cm)

Camera support capacity: 15 lbs (6.8 kg)

Weight spectrum ST4: 4.5 lbs. (2.04 kg)

Weight of Integrated LPlate with Fz Motor: 1.5 lbs (0.45 kg)

Weight of Dana Dolly Integration Kit: 3.25 lbs (1.6 kg)

Power: 10.8 – 25.0VDC. 3.5 Amps or V-Mount Battery

Operation Temperature: -22 to 122°F (-30 to 50°C)

MYT Works 6ft Large Glide Camera Slider

Daily $

MYT Works 6ft Large Glide Camera Slider

The MYT Works Glide slider dollies are known for smooth motion and perfect starts and stops. High quality machining allows for consistent performance and damage resistance over years of use and extreme wear and tear. Large Glide Sliders have a rail span of 9 inches and handle loads up to 150 lbs. They are suitable for any camera from a DSLR to a fully loaded Arri Alexa and any camera in between, including popular Black Magic, Canon, Panasonic, RED and Sony cameras. Designed by a filmmaker to meet the practical needs of camera operators and grips, Glide sliders have a portable, modular design for numerous quick setups in any shooting environment. Backwards compatibility is a feature of all products, so parts won’t become obsolete with upgrades. MYT Works sliders are designed, manufactured and assembled in New York City from machined, industrial-grade, non-corrosive aluminum and steel. ● Carrying weight 14 lbs ● Portable, ready-to-shoot design ● Hybrid sleeve and wheel bearings for naturally damped motion ● Removable Hi-Hat can be used alone, with Rover Dolly or skater dollies ● Quick release latch moves Hi-Hat to alternative setup in seconds ● Mounts on tripods, junior stands, light/baby/c-stands, 19mm or Speedrail legs, large Mitchell camera dollies, baby feet and various grip alternatives ● All camera mounts available: Flat Mount, 75mm, 100mm, 150mm and Mitchell ● 75mm, 100mm and 150mm mounts designed for adjusting the camera head independently of the slider platform ● Rigid extruded rails eliminate need for center support ● Center-mounting and end cap mounting capability ● Easy maintenance, rust and corrosion resistant ● 3-in-1 purchase option available in all sizes ● Underslung capability

8 Ball Slider

Daily $

8 Ball Slider

• Precision CNC Milling.

• All Hi-quality 6061 Billet Aluminum.

• Quiet Tracks. So you can record sound.

• Over Travel Magnets.

• 3/8-16 Threaded holes down sides and end caps.

• Very Rigid Design max weight 190lb.

• Rotating pan mount with a smooth pan brake.

• Complete slider is Hard Anodized.

• Rotating pan mount is set on 2 tapered roller bearings and the spindle is made from Billet 1144 stress proof steel.

Modern Studio 3 Foot Slider

Daily $

Modern Studio 3 Foot Slider

• 3 Foot Modern Slider

• 75mm Ball

• 100mm Ball

• 150mm Ball

• 2 Slider Bridgeplates

• Road Case

 

DF50 Hazer

Daily $

DF50 Hazer

Specifications:
Motor: Brushless, AC, Ball bearing, 1+ Horsepower
Power: 110 – 125v /4 amp or 220v/2.0 (50-60) cycle
100-125V 4.6A
200-240V 1.9A
(50 or 60 Hz)
Controls: On/Off switch
Weight: 35lbs.16 kg
Measurements: 14″H x 15″L x 8″W (HxWxL): 35x38x21 cm
Warranty: Compressor: 5-year parts and labor
All other components: One year parts and labor
Safety Testing CAL-OSHA
League of American Theaters
Actors Equity
CE Approved

The Diffusion Hazer (DF-50) is a patented machine utilizing a triple filtered system that breaks down the Diffusion Fluid (food grade mineral oil blend) to a uniform 1 micron sized droplet. CAL/OSHA has concluded that these airborne mist levels do not exceed OSHA or CAL/OSHA

RE 2 Turbo Fan

Daily $

RE 2 Turbo Fan

Specifications:
Motor: Brushless, AC, Ball bearing
Power: 110 – 125v / 4 amp or 220v / 2.0 amp (50-60) cycle
Controls: Solid state speed control, one touch blast
Weight: 23 lbs.
Measurements: (L x W x H): 14″ x 19″ x 22″

Peak Velocity:
Focused Beam: (Focused Beam): 22 mph at 10ft
10 degrees (3.5 foot diameter beam at 10ft)
Flood: 45 degrees (8ft beam at 10ft)

Warranty: One year parts and labor
Lifetime on housing
OSHA Compliant, CE Approved

The RE-Fan II Turbo incorporates the same durable motor as the RE-Fan with adjustable speed control and one touch blast button. The RE-Fan II has a unique design allowing you to adjust the beam focus.
Now you can go from a focused to flood beam with the touch of a dial. The fan balances beautifully on a versatile mounting yoke, it rests on any surface and attaches to baby or junior receivers.

Mole-Effect Wind Machine 18"

Daily $

Mole-Effect Wind Machine 18
This Mole Richardson 18″ DMX Windmachine minimum noise fan is for simulating wind effects in the studio. It has a built-on rheo-stat, to vary the effect from slight zephyr to a stiff breeze.
It will become a standard studio fixture; great for ventilation, and drying paint, too.
It is multi-voltage, and is equipped with a tubular steel roll cage for safety, protection, and ease of handling. Stand is not included.
Powerful
Moves 2390 cubic feet of air per minute
Multi-Control
  • Control the speed of the fan from the built-in 6″ rheo-stat
  • Integral DMX control through your control board and dimmers

Foldable Tables

Daily $

Foldable Tables

Foldable, easy to store and lightweight. Available in 6 feet or 8 feet.

Directors Chairs

Daily $

Directors Chairs

Sturdy reliable and comfortable. Our directors chairs are kept in spectacular condition.

EZ Up

Daily $

EZ Up

Keep your production dry and out of the sun with our EZ ups. Every EZ up comes with sides as an option to keep wind and rain out of your EZ up.

We also offer a “Video Village” specific EZ up. This EZ up has a white exterior to keep it cool with a black interior to keep reflections off of your directors monitors.

Titan Radios TR400

Daily $15

Titan Radios TR400

Local licensed frequencies are available. Itinerate frequencies licensed statewide/nationwide except

Canada and Mexico.

Line of site transmission can exceed 50 miles. Average coverage area 2-5 miles Country, 1-2 miles City

Coverage may vary depending on environment and weather conditions.

■ 16 Channels 4-5 Watts

■ Repeater Capable

■ 12.5/25 kHz Capable

■ VHF 146-174 MHz

■ UHF 450-470 MHz

■ PC Programmable

■ Priority Scan

■ Voice Scrambler

■ LED Battery Indicator

■ Internal VOX

■ Power Adjust

■ Battery Save

■ Busy Channel Lock Out

■ Wired Clone

■ Adjustable Squelch

18 Bank Charger

Daily $7.50 / 15 a week

18 Bank Charger

This 18 bank charger works along side the Tr400s. This charger unit is great for larger productions and allows you to keep your walkies in a clean, neat, and protected place while charging.

6 Bank Charger

Daily $5.50 / 11 a week

6 Bank Charger

Charges up to 6 Titan TR400s, comes in a pelican case for protection.

Single Charger

Daily $1

Single Charger

This is a single unit charger and can charge your Titan TR400.

Self Contained 10-40 Watt Mobile Base Station

Daily $25 / 45 a week

Self Contained 10-40 Watt Mobile Base Station

Extends your coverage area especially in rugged terrain. Comes with 12 Volt DC Battery with

AC/DC Charger, Antenna and Speaker Mic. Adds up to 10 hours talk time and 3 days standby.

16 Channel UHF programmable to hand set frequencies. Licensed frequencies in all 50 States.

UHF 10-45 Mobile Repeater

Daily $45 / 65 a week

UHF 10-45 Mobile Repeater

Completely self contained unit and weighs less than 10 lbs. Requires AC/DC power source. This unit can

extend coverage to 100 miles or more with line of site transmission. Works well in rugged terrain and in

extreme locations where productions are remote to base camp or production sites. Use with Mombo

Combo stand to extend antenna height for maximum coverage.

Noise Cancelling Double Muff

Daily $7

Noise Cancelling Double Muff

These noise canceling headsets work along side the Titan TR400’s. Great for when you are shooting in helicopters or on the ground where noise canceling is beneficial to your production.

Shoulder Mic

Daily $3

Shoulder Mic

Great for your transport crew and anybody that wants a more simple solution to a microphone on set.

Light Duty Head Set

Daily $3

Light Duty Head Set

For crew members who prefer the out of ear option.

Hurrican Noise Cancellation Head Set

Daily $7

Hurrican Noise Cancellation Head Set

Rugged design for active users. In ear piece reduces ambient background noise up to 21dB and protects

up to 40dB against loud noises. A great option to the Double Muff Noise Cancelling headset when

person to person direct conversation is required.

Walkie Chest Pack

Daily $2

Walkie Chest Pack

Great for when you want your walkie to be out of your way on set.

2 Wire Palm Kit

Daily $3

2 Wire Palm Kit

Keep the radio on your belt and your hands on your work. The V1-10180 2-Wire Palm Microphone from Otto Engineering is a black, clip-on speaker microphone, which allows you to talk and listen without reaching for your radio. It features a 5.8′ coiled cable.

CIA Mic / Surveillance

Daily $3

CIA Mic / Surveillance

Details

  • Transparent wire sits behind the ear; microphone fits directly into the ear canal
  • Easily switch between push-to-talk or voice-activated functions

Easy Rig

Daily $

Easy Rig

The Easyrig Vario 5 gives you the same advantages as our other Easyrig models with the added benefit of being able to adjust the line tension to adapt to many different cameras and configurations.

The Easyrig Vario 5 still delivers the same steady hand held shots while relieving strain on your back, neck and shoulders. The load is redistributed to the hips allowing you to shoot hand held in comfort for hours.

Ronford-Baker Standard and Baby Legs

Daily $

Ronford-Baker Standard and Baby Legs

Ronford Baker tripods have been the preferred choice of professional cinematographers for over 40 years. Tall & Short tripod versions available as well as 2-Stage. Comes with ground spreader. Options between Mitchell base and 150mm ball.

Hi Hat & Low Hats

Daily $

Hi Hat & Low Hats
  • For Heads with Standard Mitchell Base or 150mm ball
  • Three Locating Keyways

Arrihead 2

Daily $

Arrihead 2

Arri’s newest geared head offers the highest level of precision and adjustability available in the world of mechanical camera support.

Oconnor 2575

Daily $

Oconnor 2575

The flagship of OConnor’s Ultimate range of fluid heads.

With its famous features the 2575 fluid head has become the standard for film production.  The head includes OConnor’s patented sinusoidal counterbalance system for true, accurate balance at any point in the tilt range. Add to this OConnor’s stepless, ultra-smooth pan & tilt fluid drag, and you’ve got ultimate control and stability for film style shooting.

Oconnor 2060

Daily $

Oconnor 2060
The OConnor ULTIMATE 2060 Professional Fluid Head was specifically engineered for supporting High Definition cameras. Capable of supporting camera payloads up to 83.0 lbs (37.7 kg), none of the usual production-grade features are left out: dual adjustable pan arms, an interchangeable top stage, an interchangeable base, and threaded connection points for finder extensions and an assistant’s box.

Sachtler 65

Daily $

Sachtler 65

Sachtler 65

  • (7) levels of drag for both pan and tilt
  • Heavy Duty construction
  • Max load: 110 pounds
  • Tilt: ±60°
  • Counterbalance: 22-106 pounds
  • Weight: 21 pounds
  • Includes Frontbox Mount & Leveling Rod Attachment Rod
  • Mitchell Base
  • 150mm Base Available– Call for Details

 

Lightweight Tripods

Daily $

Lightweight Tripods

Sachtler Video 18 W/ ENG 2 Carbon Fiber Legs

Manfrotto 509 W/ 536 Carbon Fiber Legs