Red Epic W
Daily $
SENSOR
| SENSOR TYPE | HELIUM 35.4 Megapixel CMOS |
|---|---|
| EFFECTIVE PIXELS | 8192 x 4320 |
| SENSOR SIZE | 29.90 mm x 15.77 mm (Diagonal: 33.80 mm) |
| DYNAMIC RANGE | 16.5+ stops |
| SIGNAL-TO-NOISE-RATIO | 80 dB |
RECORDING
| MAX DATA RATES | Up to 275 MB/s using RED MINI-MAG (512GB & 1TB) Up to 225 MB/s using RED MINI-MAG (120GB & 240GB) |
|---|---|
| REDCODE RAW MAX FRAME RATES 1 | 30 fps at 8K Full Format (8192 x 4320), 30 fps at 8K 2.4:1 (8192 x 3456) 30 fps at 7K Full Format (7168 x 3780), 40 fps at 7K 2.4:1 (7168 x 3024) 75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592) 96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864) |
| PLAYBACK FRAME RATES (PROJECT TIMEBASE) |
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions |
| REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1 1 |
6:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps 7:1 REDCODE for 8K Full Format (8192 x 4320) at 30 fps 2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps 4:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps |
| REDCODE RAW ACQUISITION FORMATS 2 |
8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
| APPLE PRORES | 422 HQ, 422 and 422 LT at 4K (4096 × 2160) up to 29.97 fps 4444 XQ and 4444 at 2K (2048 × 1080) up to 120 fps 422 HQ, 422 and 422 LT at 2K (2048 × 1080) up to 120 fps |
| AVID CODECS 3 | DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps |
GENERAL
| CONSTRUCTION | Magnesium and Aluminum Alloy |
|---|---|
| WEIGHT | 3.35 lbs (BRAIN with Integrated Media Bay) |
| OPERATING TEMPERATURE | 0°C to 40°C (32°F to 104°F) |
| STORAGE TEMPERATURE | –20°C to 50°C (–4°F to 122°F) |
| RELATIVE HUMIDITY | 0% to 85% non-condensing |
FEATURES
| COLOR MANAGEMENT | Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs Variable number of 3D LUT outputs with DSMC2 expander module User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing |
|---|---|
| AUDIO | Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz |
| REMOTE CONTROL | Integrated REDLINK WiFi antenna Ethernet, RS232, and GPI Trigger with DSMC2 expander module |
| MONITOR OUTPUTS | 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI Only) SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
| MONITOR OPTIONS | DSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable. |
Red Epic Dragon
Daily $
EPIC 6K
| SENSOR TYPE | RED DRAGON 19.4 Megapixel CMOS |
| EFFECTIVE PIXELS | 6144 × 3160 |
| SENSOR SIZE | 30.7 mm x 15.8 mm (Diagonal: 34.5 mm) |
| DYNAMIC RANGE | 16.5+ stops |
| SIGNAL-TO-NOISE–RATIO | 80 dB |
| MAX DATA RATES | Up to 200 MB/s using RED MINI–MAG (512GB & 1TB) Up to 170 MB/s using RED MINI–MAG (120GB & 240GB) or REDMAG 1.8″ |
| MAX FRAME RATES 1 | 75 fps at 6K Full Format (6144 × 3160), 100 fps at 6K 2.4:1 (6144 × 2592) 96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160) 120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728) 150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296) 240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864) |
| PLAYBACK FRAME RATES (PROJECT TIMEBASE) |
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions |
| REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1 1 |
4:1 REDCODE for 6K Full Format (6144 × 3160) at 24 fps 10:1 REDCODE for 6K Full Format (6144 × 3160) at 60 fps 2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps 5:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps |
| REDCODE RAW ACQUISITION FORMATS 2 |
6K Full Format (6144 × 3160), 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
| APPLE PRORES | DSMC2 cameras only |
| AVID CODECS 3 | DSMC2 cameras only |
| CONSTRUCTION | Carbon Fiber and Aluminum Alloy |
| WEIGHT | 4 lbs (BRAIN only) |
| OPERATING TEMPERATURE | 0°C to 40°C (32°F to 104°F) |
| STORAGE TEMPERATURE | –20°C to 50°C (–4°F to 122°F) |
| RELATIVE HUMIDITY | 0% to 85% non-condensing |
| COLOR MANAGEMENT | 3D LUT capabilities with REDCAST Module |
| AUDIO | 2 channel, uncompressed, 24-bit 48 kHz Optional 4 channel, and AES/EBU digital audio |
| REMOTE CONTROL | Ethernet, RS232, and GPI Trigger Wireless control with optional REDMOTE and REDLINK Bridge modules |
| MONITOR OUTPUTS | 3G-SDI (HD-SDI) and HDMI with Frame Guides and Lookaround 1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI only) SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
| MONITOR OPTIONS | DSMC2 RED Touch 4.7″ LCD and DSMC2 RED Touch 7.0″ LCD compatible with DSMC2 LEMO Adaptor B and LCD/EVF cable. RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, DSMC2 RED EVF (OLED), BOMB EVF (OLED) and BOMB EVF (LCOS) with LCD/EVF cable. |
| REDCINE-X PRO DELIVERY FORMATS |
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 |
Red Scarlet-W
Daily $
SENSOR
| SENSOR TYPE | RED DRAGON 13.8 MP Super 35 mm CMOS |
|---|---|
| EFFECTIVE PIXELS | 5120 x 2700 |
| SENSOR SIZE | 25.6 mm x 13.5 mm (Diagonal: 28.9 mm) |
| DYNAMIC RANGE | 16.5+ stops |
| SIGNAL-TO-NOISE-RATIO | 80 dB |
RECORDING
| MAX DATA RATES | Up to 140 MB/s using RED MINI-MAG |
|---|---|
| MAX FRAME RATES 1 | 50 fps at 5K Full Format (5120 x 2700), 60 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864) |
| PLAYBACK FRAME RATES (PROJECT TIMEBASE) |
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions |
| REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1 1 |
5:1 REDCODE for 5K Full Format (5120 x 2700) at 24 fps 9:1 REDCODE for 5K Full Format (5120 x 2700) at 50 fps 3:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps 7:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps |
| REDCODE RAW ACQUISITION FORMATS 2 |
5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
| APPLE PRORES | 422 HQ, 422 and 422 LT at 2K (2048 × 1080) up to 60 fps |
| AVID CODECS 3 | DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 60 fps |
| TYPICAL MAX RECORDING TIME USING RED MINI-MAG 120GB 5 |
5K Full Frame (5120 x 2700) at 24 fps and 11:1 REDCODE: 41 minutes 5K Full Frame (5120 x 2700) at 48 fps and 14:1 REDCODE: 26 minutes 4.5K 2.4:1 (4608 x 1944) at 120 fps and 15:1 REDCODE: 17 minutes |
GENERAL
| CONSTRUCTION | Aluminum Alloy |
|---|---|
| WEIGHT | 3.5 lbs (BRAIN with Integrated Media Bay) |
| OPERATING TEMPERATURE | 0°C to 40°C (32°F to 104°F) |
| STORAGE TEMPERATURE | –20°C to 50°C (–4°F to 122°F) |
| RELATIVE HUMIDITY | 0% to 85% non-condensing |
FEATURES
| COLOR MANAGEMENT | Supports 17×17×17 3D LUTs Variable number of 3D LUT outputs with DSMC2 expander module User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing |
|---|---|
| AUDIO | Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz |
| REMOTE CONTROL | Integrated REDLINK WiFi antenna Ethernet, RS232, and GPI Trigger with DSMC2 expander module |
| MONITOR OUTPUTS | 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI Only) SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
| MONITOR OPTIONS | DSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable |