Hawk B-Series

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Hawk B-Series

These vintage Hawk anamorphic lenses give you the film look you are after. All with a fast T-Stop. Call for more info.

Kowa Anamorphic

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Kowa Anamorphic

Another set of vintage anamorphic glass. All lenses with fast T-Stop.

Call for more info.

Zeiss Master Anamorphic

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Zeiss Master Anamorphic

A range of seven high-performance prime lenses, the ARRI Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras.

For the first time, a perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out-of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses.

Cooke Anamorphic

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Cooke Anamorphic

All of the anamorphic lens characteristics demanded by filmmakers today with the Cooke Look® and oval bokeh. That’s the Cooke Anamorphic /i Look. Images beautifully rendered for film and especially suited for use with digital cameras. The Anamorphic /i lens correct aberrations exceptionally well over the entire image area – astigmatism, lateral and longitudinal colour – that will render shape, form and soul to your images.

Canon L Series Primes

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Canon L Series Primes

Canon L series primes offer great performance in a small lightweight package. Great for quick run n’ gun productions, gimbal work, or just with a small budget.

24mm f1.4

35mm f1.4

50mm f1.2

85mm f1.2

Canon L Series Zooms

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Canon L Series Zooms

Canon L series zooms offer great performance in a small lightweight package. Great for quick run n’ gun productions, gimbal work, or just with a small budget. Great for when you can only bring one or two lenses with you. Covers almost all of your basic focal lengths.

24-70 f2.8

70-200 f2.8

Angenieux 45-120 Cine Zoom

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Angenieux 45-120 Cine Zoom

45-120

The focus ring on the 45-120mm focus ring has a 320° focus rotation with over 50 precise focus witness marks and minimal breathing. Its compact size makes it ideal for use in handheld, crane, and steadicam situations.

FEATURES:

• An extremely fast aperture speed of T2.8
• 320° focus rotation with over 50 witness marks
• A superior level of optical performance across the entire range
• No ramping, minimal breathing
• Calibrated focus marks available in feet or meters (easily interchangeable focus ring)
• Available in PL mount

SPECIFICATIONS:

  • Focal Length: 45-120mm
  • Zoom Range: 2.7x
  • Geometric Aperture: f2.6
  • Photometric Aperture: T2.8
  • Length: 203mm
  • Front Diameter: 114mm
  • Weight: 4.3 lbs. (1.95kg)

 

Angenieux 24-290 Cine Zoom

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Angenieux 24-290 Cine Zoom

24-290

This lens produces impressive contrast and color reproduction that rivals the highest performing prime lenses.

FEATURES:

• An extremely fast aperture speed of T2.8
• Impressive contrast and color reproduction
• A superior level of optical performance across the entire range
• No ramping, no breathing
• 327° focus rotation with over 25 witness marks
• Available in PL mount (PV and Canon conversion mounts available from partner companies)

SPECIFICATIONS:

  • Focal Length: 24-290mm
  • Zoom Range: 12x
  • Geometric Aperture: f2.5
  • Photometric Aperture: T2.8
  • Minimum Object Distance: 4′ (1.22m)
  • Weight: 24.25 lbs. (11kg)

Angenieux 17-80 Cine Zoom

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Angenieux 17-80 Cine Zoom

17-80

This lens produces impressive contrast and color reproduction that rivals the highest performing prime lenses.

FEATURES:

• An extremely fast aperture speed of T2.2
• Impressive contrast and color reproduction
• A superior level of optical performance across the entire range
• No ramping, no breathing
• 329° focus rotation with over 25 witness marks
• Available in PL mount (PV conversion mount available from partner companies)

SPECIFICATIONS:

  • Focal Length: 17-80mm
  • Zoom Range: 4.7x
  • Geometric Aperture: f2
  • Photometric Aperture: T2.2
  • Minimum Object Distance: 1’9″ (.6m)
  • Weight: 11 lbs. (5kg)

Angenieux 25-250 HR Cine Zoom

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Angenieux 25-250 HR Cine Zoom

25-250 HR

The Optimo DP 25-250mm T3.5 10x Zoom Lens from Angenieux delivers optimized optical quality with low chromatic aberration, telecentricity, and low distortion for S35 digital cameras. With an image circle of 31.4mm diagonal, the lens is fit for illumination of S35 sensors. The lens is equipped with robust and precise zoom and focus mechanics with Angenieux rod guiding system design.
Optimized optical quality with low chromatic aberration, telecentricity and low distortion, ideal for high performance S35 digital cameras
Internal focus with minimal breathing
Image circle of 31.4mm diagonal for perfect illumination of the S35 sensors
Robust and precise zoom and focus mechanics with Angénieux rod guiding system design
Precise focus marks with easily interchangeable focus scale ring from feet to meters
Integrated filter holder for standard screw-in filters
Integrated net holder
Optional front protective glass
Designed for easy maintenance

Angenieux 15-40 Lightweight Cine Zoom

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Angenieux 15-40 Lightweight Cine Zoom

15-40 | MAIN FEATURES

  • Superb image quality from T2.6 open aperture
  • Compact and very light (1.92 kg / 4.2lbs)
  • Identical center of gravity on all Optimo lightweight zoom lenses enable quick lens interchange
  • Perfect homogeneity of color, contrast and resolution. Low distortion
  • No ramping, minimal breathing, very fast for 2.7x zoom ratios
  • Close focus of (2ft / 0.6m) facilitates shooting in tight locations
  • Internal focus, internal zoom, constant lens volume
  • Precise and ergonomic focus ring with scale rotation of 320 degrees & over 50 focus marks.
  • Interchangeable focus scale ring from feet to meters
  • Adapted to extreme production environments (back focus temperature compensation system from -20°C to +45°C)
  • Compatible with Optimo 1.4x and 2x extenders
    21-58mm T3.7 (with 1.4x)
    30-80mm T5.2 (with 2x)
  • Image coverage: S35+ (Ø 31.4 mm), expanded to Ø 35 mm when used with Optimo extenders
  • Available in PL mount. Easily interchangeable to Panavision, Canon EF, mounts
  • Compatible with ASU servo unit (integrated motors for FTZ remote control through industry standard control systems)

Angineux 30-76 Lightweight Cine Zoom

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Angineux 30-76 Lightweight Cine Zoom

30-76 | MAIN FEATURES

  • Constant T2.8 across entire zoom range
  • Well controlled distortion with no breathing
  • Compact and very light (1.92 kg / 4.2 lbs), ideal for handheld, Steadicam, compact gimbals
  • Superb image quality from open aperture, considered as “variable primes”
  • Color reproduction matches the highly acclaimed OPTIMO lens series
  • Internal focus, internal zoom no change in lens size
  • Precise and ergonomic focus ring with zoom scale rotation of 320 degrees & 20 focus witness marks (no interchangeability of focus rings from feet to meters)
  • Compatible with Angénieux Servo Unit (integrated motors for FTZ remote control through industry standard control systems)
  • Compatible with Optimo 1.4x and 2x extenders
    – 30-76+ext.1.4x = 42-106mm at T4 ; 30-76+ext. 2x = 60-152mm at T5.6
  • Superb image quality from open aperture, considered as “variable primes”
  • Adapted to extreme production environments (back focus temperature compensation system from -20°C to +45°C)
  • Available in PL mount. Easily interchangeable to Panavision PV, Canon EF mounts

Fujinon 19-90 Cine Zoom

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Fujinon 19-90 Cine Zoom

19-90 Cabrio

The Fujinon 19-90mm T2.9 Cabrio Premier PL Lens is a wide to telephoto zoom lens for Super 35mm cameras. The focus, zoom, and iris barrels are geared with standard 0.8 film pitch, which provides an interface for the removable ENG-style digital drive unit. The rear PL mount features electrical contacts for sharing Arri LDS and Cooke /i Technology lens data with the camera.

The detachable drive unit is an ENG-style hand grip with a zoom rocker switch, 16-bit encoding, and an interface for remote control via a wired or wireless controller from Fujinon or other compatible, third party manufacturers. When the drive unit is attached to the lens, a digital auto-aligning system quickly and accurately calibrates it to the zoom, focus, and iris gears. Power is provided by either an external connector or the PL mount’s “hot shoe” interface. Included with the lens is a 111mm clear protection filter that helps to protect the front of the lens.

T2.9 to T22 aperture with 9 iris blades for attractive bokeh
The 31.5mm diameter image circle covers up to Super 35mm sensors
Detachable, ENG-style, digital drive unit with zoom rocker switch
Industry standard 0.8 film pitch gears for focus, zoom, and iris control
Power and data/control connections to the camera via the rear PL mount “hot shoe”
16-bit encoding supports sharing LDS and /i Technology lens data with the camera
The barrel markings in metric or imperial measurements are switchable in the field
Glow-in-the-dark barrel markings make it easier to read measurements
200° focus barrel rotation and 120° zoom rotation
No shims are required to adjust the flange focal distance
Macro focus function available

 

Fujinon 30-80 Allura Cine Zoom

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Fujinon 30-80 Allura Cine Zoom

30-80 Allura

The Alura Zooms’ color characteristics, as well as their handling, are matched to existing prime lenses in ARRI’s outstanding repertoire. With the addition of these zooms, ARRI now offers the widest range of cine lenses for all professional production demands, including zooms, high speed primes, standard speed primes, extreme wide angle and telephoto primes, macro, extenders and diopters.

Main Features:

  • Matched Zooms
    • Matched wide and long PL mount zooms for an
      efficient shooting pace
    • Small size and low weight for quick and easy handling
      on the set
    • Optimized for digital and compatible with film cameras
    • Also available as a 3D matched pair
  • ARRI Lens Data System
    • Automatically provides lens metadata
    • Increases efficiency of VFX and 3D post
  • Fast and Steady
    • T2.8
    • Consistent aperture over entire zoom range
  • Outstanding Optical Performance
    • High resolution for 2K to 4K+ camera outputs
    • High contrast through minimized flares and veiling glare (FUJINON multi-layer EBC coating)
    • Greatly reduced chromatic aberration through the use of extraordinary dispersion glass
    • Large image circle of 31.5 mm covers all current digital cameras
    • Low geometric distortion and even field illumination
    • 9 iris leaves for round, out-of-focus highlights and a pleasing,
      organic bokeh
    • Consistent contrast, resolution and field illumination across the whole focus and zoom range
    • Matched to all other ARRI zoom and prime lenses
  • Consistent Optical Performance
    • Consistent contrast, resolution and field illumination across
      the whole focus and zoom range
  • Film Style Ergonomics
    • Compatible with film and digital ARRI cameras and accessories
    • Robust construction
    • Large, easy-to-read precision focus scales on both sides
    • Matched to existing prime lenses
  • Easy Servicing
    • Feet/meter focus scales can be exchanged
    • Zoom centering mechanism

Zeiss High Speed Mark III Set

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Zeiss High Speed Mark III Set

The famous Zeiss Super Speed Prime lenses have been in use for over 30 years, and even though they are no longer manufactured, they are still a great choice for many a project, adding experience and personality to the image. Their extremely fast aperture of T1.3, small body and flattering image rendition, make them a favorite of many cinematographers.

Focal Lengths – 18mm, 25mm, 35mm, 50mm, 65mm, 85mm

Cooke S4 Set

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Cooke S4 Set
Optical Design
The optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberration.
Colour Balance
All S4 prime lenses are colour balanced, color-matched and compatible with Cooke 5/i, miniS4/i and Anamorphic/i.
Aperture
All S4 primes have a true T2 aperture and cover Super 35mm format, apart from the 300mm (2.8).
Index Marks
Every index mark is labeled. More detailed markings allow for more detailed focus control.
Camera Mounts
Cooke Hardened PL Mount
Focus Scaling
Large, clear numerals on both sides of the focus barrel benefit the focus puller when shooting under difficult lighting conditions. Plus the Entrance Pupil position is engraved on the lens.
Compatibility
All Cooke S4 Primes have a common fixed front diameter of 110mm, (except for 12mm, 150mm, 180mm, 300mm) with a focus drive gear of 140T x 0.8 mod and an iris drive gear of 114T x 0.8
External Finish
A scratch resistant PTFE hard anodized finish is provided on all Cooke lenses, providing a durable, hard-wearing surface to meet the most demanding environmental conditions.
Iris
An eight-leaf linear module iris assembly is fitted into S4/i primes with an aperture range of T2 to T22.(Except 300mm)
Weight/Size Ratio
The lenses are designed for all shooting applications, including handheld and Steadicam, providing comfortable balance ratio with the latest compact cameras.
Reliability and Service
S4 prime lenses are designed to meet a market requirement for fully reliable performance with a minimum of downtime.

Zeiss Standard Speed Set T 2.1

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Zeiss Standard Speed Set T 2.1
  • 10mm
  • CF 14″  | 156mm front
  • 12mm
  • CF 10″  | 135mm front
  • 14mm
  • CF 9″   | 114mm front
  • 16mm
  • CF 5″    | 80mm front
  • 20mm
  • CF 8″    | 80mm front
  • 24mm
  • CF 5″    | 80mm front
  • 32mm
  • CF 3″    | 80mm front
  • 50mm
  • CF 24″  | 80mm front
  • 85mm
  • CF 36″  | 80mm front
  • 100mm
  • CF 39″  | 80mm front
  • 135mm
  • CF 5´   | 80mm front