Atlas Orion

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Atlas Orion

The atlas line of lenses is an affordable way to get into the anamorphic look without breaking the bank. With a unique look and aesthetic this allows your project to stand out! Call for more info.

40mm | 65mm| 100mm In stock now

Hawk B-Series

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Hawk B-Series

These vintage Hawk anamorphic lenses give you the film look you are after. All with a fast T-Stop. Call for more info.

Kowa Anamorphic

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Kowa Anamorphic

Another set of vintage anamorphic glass. All lenses with fast T-Stop. These lenses have been rehoused for maximum flexibility. Call for more info.

Zeiss Master Anamorphic

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Zeiss Master Anamorphic

A range of seven high-performance prime lenses, the ARRI Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras. For the first time, a perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out-of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses.

Cooke Anamorphic

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Cooke Anamorphic

All of the anamorphic lens characteristics demanded by filmmakers today with the Cooke Look® and oval bokeh. That’s the Cooke Anamorphic /i Look. Images beautifully rendered for film and especially suited for use with digital cameras. The Anamorphic /i lens correct aberrations exceptionally well over the entire image area – astigmatism, lateral and longitudinal colour – that will render shape, form and soul to your images.

ARRI Signature Primes

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ARRI Signature Primes

ARRI’s Signature Prime lineup sets a new standard in the world of cinema optics. Their unique optical design produces extremely sharp, yet natural images with nearly no focus breathing.

Front Diameter: 114mm

Call or email info@redmanmovies.com for availability and pricing.

Cooke S7/i Primes

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Cooke S7/i Primes

The “Cooke Look” is famous in the world of cinematography, and is now available for all of your large format needs. The S7/i primes are a beautiful, in-character addition to Cookes spherical line of lenses.

Front Diameter: 110mm

Call or email info@redmanmovies.com for availability and pricing.

Leica Thalia Primes

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Leica Thalia Primes

Leica’s (Leitz) Thalia Primes bring the Leica look to Large Format and beyond! Known for their unrivaled engineering, the Thalias are no exception to the norm when it comes to Leica’s other cinema offerings, such as the Summilux-C’s.

Front Diameter: 95mm

Call or email info@redmanmovies.com for availability and pricing.

Zeiss Supreme Primes

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Zeiss Supreme Primes

The Zeiss Supreme Primes stay true to the pedigree of their manufacturer. These lenses deliver a beautiful balance between scientific excellence and pleasing images.

Front Diameter: 114mm

Call or email info@redmanmovies.com for availability and pricing.

Sigma Cine Primes

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Sigma Cine Primes

Sigma has cemented themselves as a fantastic, affordable option for those looking for clean, sharp optics with reliable mechanics. These lenses will cover all of our large format cameras through the full range of focal lengths.

Front Diameter: 95mm

Call or email info@redmanmovies.com for availability and pricing.

Angenieux 45-120 Cine Zoom

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Angenieux 45-120 Cine Zoom

45-120

The focus ring on the 45-120mm focus ring has a 320° focus rotation with over 50 precise focus witness marks and minimal breathing. Its compact size makes it ideal for use in handheld, crane, and steadicam situations.

FEATURES:

• An extremely fast aperture speed of T2.8
• 320° focus rotation with over 50 witness marks
• A superior level of optical performance across the entire range
• No ramping, minimal breathing
• Calibrated focus marks available in feet or meters (easily interchangeable focus ring)
• Available in PL mount

SPECIFICATIONS:

  • Focal Length: 45-120mm
  • Zoom Range: 2.7x
  • Geometric Aperture: f2.6
  • Photometric Aperture: T2.8
  • Length: 203mm
  • Front Diameter: 114mm
  • Weight: 4.3 lbs. (1.95kg)

 

Angenieux 24-290 Cine Zoom

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Angenieux 24-290 Cine Zoom

24-290

This lens produces impressive contrast and color reproduction that rivals the highest performing prime lenses.

FEATURES:

• An extremely fast aperture speed of T2.8
• Impressive contrast and color reproduction
• A superior level of optical performance across the entire range
• No ramping, no breathing
• 327° focus rotation with over 25 witness marks
• Available in PL mount (PV and Canon conversion mounts available from partner companies)

SPECIFICATIONS:

  • Focal Length: 24-290mm
  • Zoom Range: 12x
  • Geometric Aperture: f2.5
  • Photometric Aperture: T2.8
  • Minimum Object Distance: 4′ (1.22m)
  • Weight: 24.25 lbs. (11kg)

Angenieux 17-80 Cine Zoom

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Angenieux 17-80 Cine Zoom

17-80

This lens produces impressive contrast and color reproduction that rivals the highest performing prime lenses.

FEATURES:

• An extremely fast aperture speed of T2.2
• Impressive contrast and color reproduction
• A superior level of optical performance across the entire range
• No ramping, no breathing
• 329° focus rotation with over 25 witness marks
• Available in PL mount (PV conversion mount available from partner companies)

SPECIFICATIONS:

  • Focal Length: 17-80mm
  • Zoom Range: 4.7x
  • Geometric Aperture: f2
  • Photometric Aperture: T2.2
  • Minimum Object Distance: 1’9″ (.6m)
  • Weight: 11 lbs. (5kg)

Angenieux 25-250 HR Cine Zoom

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Angenieux 25-250 HR Cine Zoom

25-250 HR

The Optimo DP 25-250mm T3.5 10x Zoom Lens from Angenieux delivers optimized optical quality with low chromatic aberration, telecentricity, and low distortion for S35 digital cameras. With an image circle of 31.4mm diagonal, the lens is fit for illumination of S35 sensors. The lens is equipped with robust and precise zoom and focus mechanics with Angenieux rod guiding system design.
Optimized optical quality with low chromatic aberration, telecentricity and low distortion, ideal for high performance S35 digital cameras
Internal focus with minimal breathing
Image circle of 31.4mm diagonal for perfect illumination of the S35 sensors
Robust and precise zoom and focus mechanics with Angénieux rod guiding system design
Precise focus marks with easily interchangeable focus scale ring from feet to meters
Integrated filter holder for standard screw-in filters
Integrated net holder
Optional front protective glass
Designed for easy maintenance

Angenieux 15-40 Lightweight Cine Zoom

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Angenieux 15-40 Lightweight Cine Zoom

15-40 | MAIN FEATURES

  • Superb image quality from T2.6 open aperture
  • Compact and very light (1.92 kg / 4.2lbs)
  • Identical center of gravity on all Optimo lightweight zoom lenses enable quick lens interchange
  • Perfect homogeneity of color, contrast and resolution. Low distortion
  • No ramping, minimal breathing, very fast for 2.7x zoom ratios
  • Close focus of (2ft / 0.6m) facilitates shooting in tight locations
  • Internal focus, internal zoom, constant lens volume
  • Precise and ergonomic focus ring with scale rotation of 320 degrees & over 50 focus marks.
  • Interchangeable focus scale ring from feet to meters
  • Adapted to extreme production environments (back focus temperature compensation system from -20°C to +45°C)
  • Compatible with Optimo 1.4x and 2x extenders
    21-58mm T3.7 (with 1.4x)
    30-80mm T5.2 (with 2x)
  • Image coverage: S35+ (Ø 31.4 mm), expanded to Ø 35 mm when used with Optimo extenders
  • Available in PL mount. Easily interchangeable to Panavision, Canon EF, mounts
  • Compatible with ASU servo unit (integrated motors for FTZ remote control through industry standard control systems)

Angineux 30-76 Lightweight Cine Zoom

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Angineux 30-76 Lightweight Cine Zoom

30-76 | MAIN FEATURES

  • Constant T2.8 across entire zoom range
  • Well controlled distortion with no breathing
  • Compact and very light (1.92 kg / 4.2 lbs), ideal for handheld, Steadicam, compact gimbals
  • Superb image quality from open aperture, considered as “variable primes”
  • Color reproduction matches the highly acclaimed OPTIMO lens series
  • Internal focus, internal zoom no change in lens size
  • Precise and ergonomic focus ring with zoom scale rotation of 320 degrees & 20 focus witness marks (no interchangeability of focus rings from feet to meters)
  • Compatible with Angénieux Servo Unit (integrated motors for FTZ remote control through industry standard control systems)
  • Compatible with Optimo 1.4x and 2x extenders
    – 30-76+ext.1.4x = 42-106mm at T4 ; 30-76+ext. 2x = 60-152mm at T5.6
  • Superb image quality from open aperture, considered as “variable primes”
  • Adapted to extreme production environments (back focus temperature compensation system from -20°C to +45°C)
  • Available in PL mount. Easily interchangeable to Panavision PV, Canon EF mounts

Fujinon 19-90 Cine Zoom

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Fujinon 19-90 Cine Zoom

19-90 Cabrio

The Fujinon 19-90mm T2.9 Cabrio Premier PL Lens is a wide to telephoto zoom lens for Super 35mm cameras. The focus, zoom, and iris barrels are geared with standard 0.8 film pitch, which provides an interface for the removable ENG-style digital drive unit. The rear PL mount features electrical contacts for sharing Arri LDS and Cooke /i Technology lens data with the camera.

The detachable drive unit is an ENG-style hand grip with a zoom rocker switch, 16-bit encoding, and an interface for remote control via a wired or wireless controller from Fujinon or other compatible, third party manufacturers. When the drive unit is attached to the lens, a digital auto-aligning system quickly and accurately calibrates it to the zoom, focus, and iris gears. Power is provided by either an external connector or the PL mount’s “hot shoe” interface. Included with the lens is a 111mm clear protection filter that helps to protect the front of the lens.

T2.9 to T22 aperture with 9 iris blades for attractive bokeh
The 31.5mm diameter image circle covers up to Super 35mm sensors
Detachable, ENG-style, digital drive unit with zoom rocker switch
Industry standard 0.8 film pitch gears for focus, zoom, and iris control
Power and data/control connections to the camera via the rear PL mount “hot shoe”
16-bit encoding supports sharing LDS and /i Technology lens data with the camera
The barrel markings in metric or imperial measurements are switchable in the field
Glow-in-the-dark barrel markings make it easier to read measurements
200° focus barrel rotation and 120° zoom rotation
No shims are required to adjust the flange focal distance
Macro focus function available

 

Fujinon 30-80 Allura Cine Zoom

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Fujinon 30-80 Allura Cine Zoom

30-80 Allura

The Alura Zooms’ color characteristics, as well as their handling, are matched to existing prime lenses in ARRI’s outstanding repertoire. With the addition of these zooms, ARRI now offers the widest range of cine lenses for all professional production demands, including zooms, high speed primes, standard speed primes, extreme wide angle and telephoto primes, macro, extenders and diopters.

Main Features:

  • Matched Zooms
    • Matched wide and long PL mount zooms for an
      efficient shooting pace
    • Small size and low weight for quick and easy handling
      on the set
    • Optimized for digital and compatible with film cameras
    • Also available as a 3D matched pair
  • ARRI Lens Data System
    • Automatically provides lens metadata
    • Increases efficiency of VFX and 3D post
  • Fast and Steady
    • T2.8
    • Consistent aperture over entire zoom range
  • Outstanding Optical Performance
    • High resolution for 2K to 4K+ camera outputs
    • High contrast through minimized flares and veiling glare (FUJINON multi-layer EBC coating)
    • Greatly reduced chromatic aberration through the use of extraordinary dispersion glass
    • Large image circle of 31.5 mm covers all current digital cameras
    • Low geometric distortion and even field illumination
    • 9 iris leaves for round, out-of-focus highlights and a pleasing,
      organic bokeh
    • Consistent contrast, resolution and field illumination across the whole focus and zoom range
    • Matched to all other ARRI zoom and prime lenses
  • Consistent Optical Performance
    • Consistent contrast, resolution and field illumination across
      the whole focus and zoom range
  • Film Style Ergonomics
    • Compatible with film and digital ARRI cameras and accessories
    • Robust construction
    • Large, easy-to-read precision focus scales on both sides
    • Matched to existing prime lenses
  • Easy Servicing
    • Feet/meter focus scales can be exchanged
    • Zoom centering mechanism

Leica Summilux-C

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Leica Summilux-C

Leica’s Summilux-C marked the return of a legend to the world of motion picture innovation. Famed for their uncompromising quality and attention to detail, the Summilux-C’s utilize a groundbreaking, multi-aspherical optical design to minimize unwanted abberation, and give you the smooth, sharp image that we have learned to love from Leica. At T1.4 accross the lineup, these lenses are an amazing tool for any cinematographer.

Available Focal Lengths

  • 16mm – T1.4 – Front Diameter: 95mm
  • 18mm – T1.4 – Front Diameter: 95mm
  • 21mm – T1.4 – Front Diameter: 95mm
  • 25mm – T1.4 – Front Diameter: 95mm
  • 29mm – T1.4 – Front Diameter: 95mm
  • 35mm – T1.4 – Front Diameter: 95mm
  • 40mm – T1.4 – Front Diameter: 95mm
  • 50mm – T1.4 – Front Diameter: 95mm
  • 65mm – T1.4 – Front Diameter: 95mm
  • 75mm – T1.4 – Front Diameter: 95mm
  • 100mm – T1.4 – Front Diameter: 95mm
  • 135mm – T1.4 – Front Diameter: 114mm

ARRI/Zeiss Master Primes

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ARRI/Zeiss Master Primes

The pinnacle of ARRI and Carl Zeiss’ spherical lens developments; the Master Primes deliver unrivaled optical excellence, without sacrificing image quality at T1.3.

Available Focal Lengths

  • 12mm – T1.3 – Front Diameter: 156mm
  • 14mm – T1.3 – Front Diameter: 114mm
  • 16mm – T1.3 – Front Diameter: 114mm
  • 18mm – T1.3 – Front Diameter: 114mm
  • 21mm – T1.3 – Front Diameter: 114mm
  • 25mm – T1.3 – Front Diameter: 114mm
  • 27mm – T1.3 – Front Diameter: 114mm
  • 32mm – T1.3 – Front Diameter: 114mm
  • 35mm – T1.3 – Front Diameter: 114mm
  • 40mm – T1.3 – Front Diameter: 114mm
  • 50mm – T1.3 – Front Diameter: 114mm
  • 65mm – T1.3 – Front Diameter: 114mm
  • 75mm – T1.3 – Front Diameter: 114mm
  • 100mm – T1.3 – Front Diameter: 114mm
  • 135mm – T1.3 – Front Diameter: 114mm
  • 150mm – T1.3 – Front Diameter: 134mm

ARRI/Zeiss Ultra Primes

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ARRI/Zeiss Ultra Primes

One of the benchmark results of the ARRI/Zeiss collaboration. Ultra Prime Lenses retain their excellent image quality, even wide open, across the whole Super 35 frame. The T* coating ensures that color rendition is consistent across focal lengths and will match most Zeiss Cinema lenses. All lenses 20mm and longer all cover LF16x9 mode on Arri LF sensors.

Available focal Lengths

  • 8mmR – T2.8 – Front Diameter: 134mm
  • 12mm – T2 – Front Diameter: 156mm
  • 14mm – T1.9 – Front Diameter: 114mm
  • 16mm – T1.9 – Front Diameter: 95mm
  • 20mm – T1.9 – Front Diameter: 95mm
  • 24mm – T1.9 – Front Diameter: 95mm
  • 28mm – T1.9 – Front Diameter: 95mm
  • 32mm – T1.9 – Front Diameter: 95mm
  • 40mm – T1.9 – Front Diameter: 95mm
  • 50mm – T1.9 – Front Diameter: 95mm
  • 65mm – T1.9 – Front Diameter: 95mm
  • 85mm – T1.9 – Front Diameter: 95mm
  • 100mm – T1.9 – Front Diameter: 95mm
  • 135mm – T1.9 – Front Diameter: 95mm
  • 180mm – T1.9 – Front Diameter: 114mm

Cooke S4

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Cooke S4

Cooke Optics cemented itself in the world of cinematography with the Cooke Speed Panchros in the 1930’s. When the Cooke S4’s were released in 1998, they reinforced their pedigree, while revolutionizing the world of cinema optics. The Cooke S4’s remain one of the most widely used high-end cinema lenses in the world to this day.

Available Focal Lengths

  • 12mm – T2 – Front Diameter: 156mm
  • 14mm – T2 – Front Diameter: 110mm
  • 16mm – T2 – Front Diameter: 110mm
  • 18mm – T2 – Front Diameter: 110mm
  • 21mm – T2 – Front Diameter: 110mm
  • 25mm – T2 – Front Diameter: 110mm
  • 27mm – T2 – Front Diameter: 110mm
  • 32mm – T2 – Front Diameter: 110mm
  • 35mm – T2 – Front Diameter: 110mm
  • 40mm – T2 – Front Diameter: 110mm
  • 50mm – T2 – Front Diameter: 110mm
  • 65mm – T2 – Front Diameter: 110mm
  • 75mm – T2 – Front Diameter: 110mm
  • 100mm – T2 – Front Diameter: 110mm
  • 135mm – T2 – Front Diameter: 110mm
  • 150mm – T2 – Front Diameter: 125mm
  • 180mm – T2 – Front Diameter: 136mm

Cooke Mini S4

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Cooke Mini S4

The “Cooke Look” in a smaller package. The Mini S4’s are a different optical design than their big brothers, but are designed specifically to compliment the S4’s and deliver the same overall look and feel, while allowing for the flexibility that smaller lenses deliver.

Available Focal Lengths

  • 18mm – T2.8 – Front Diameter: 110mm
  • 25mm – T2.8 – Front Diameter: 110mm*
  • 32mm – T2.8 – Front Diameter: 110mm*
  • 50mm – T2.8 – Front Diameter: 110mm*
  • 75mm – T2.8 – Front Diameter: 110mm*
  • 100mm – T2.8 – Front Diameter: 110mm*
  • 135mm – T2.8 – Front Diameter: 110mm*

*Our Cooke Mini S4’s have been modified from their factory front diameter of 87mm.

Zeiss High Speed Mark III

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Zeiss High Speed Mark III

The famous Zeiss Super Speed Prime lenses have been in use for over 30 years, and are still a great choice for any project. Their extremely fast aperture of T1.3, small body and flattering image rendition, make them a favorite of many cinematographers.

Available Focal Lengths

  • 18mm – T1.3 – Front Diameter: 80mm
  • 25mm – T1.3 – Front Diameter: 80mm
  • 35mm – T1.3 – Front Diameter: 80mm
  • 50mm – T1.3 – Front Diameter: 80mm
  • 65mm – T1.3 – Front Diameter: 80mm
  • 85mm – T1.3 – Front Diameter: 80mm

Zeiss Standard Speed T 2.1

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Zeiss Standard Speed T 2.1

A standard in cinema optics since their release in the late 1960’s/early 1970’s, the Zeiss Standard Speed Primes are truly legendary, and provide a unique mixture of Zeiss’ optical perfection, and the characteristic imperfections of vintage lenses.

Available Focal Lengths

  • 10mm – T2.1 – Front Diameter: 156mm
  • 12mm – T2.1 – Front Diameter: 125mm
  • 14mm – T2.1 – Front Diameter: 114mm
  • 16mm – T2.1 – Front Diameter: 80mm
  • 20mm – T2.1 – Front Diameter: 80mm
  • 24mm – T2.1 – Front Diameter: 80mm
  • 32mm – T2.1 – Front Diameter: 80mm
  • 50mm – T2.1 – Front Diameter: 80mm
  • 85mm – T2.1 – Front Diameter: 80mm
  • 100mm – T2.1 – Front Diameter: 80mm
  • 135mm – T2.1 – Front Diameter: 80mm