Arri M90 High Speed

Daily $

Arri M90 High Speed

High-speed ballasts are starting to become more important with the high-speed HD cameras. Up until the M90, 4K was the largest wattage high-frequency ballast out there, so it’s such a benefit to have this availability now. This is the biggest, brightest unit you’ll find with a high-speed ballast. Allowing you to shoot at frame rate 1,000 FPS or higher.

Arri M40 High Speed

Daily $

Arri M40 High Speed

ARRI’s new generation of ballasts incorporates an AutoScan feature that ensures optimum light and image quality with a minimum of effort for high-speed recording up to 1,000 fps and beyond.

Arri Skypanel

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Arri Skypanel

The SkyPanel has been tested here at Redman. We can confirm that this light works at frame rates as high as 2400 FPS.

Nila Boxer

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Nila Boxer

The Nila Boxer is an excellent replacement for an 800 to 1200 watt HMI, or a 1200 to 2000 watt tungsten fixture, while drawing a mere 250 watts. The Nila Boxer does not flicker or break, even in the harshest environments. Built in dimmers are DMX controllable, and the Boxer’s 90-240 volt supply works anywhere in the world.

Sumo Space Light

Daily $

Sumo Space Light

• Powerful Output up to 13,500 Lux [1,254 fc] at 3 m [10 ft]

• Bi-Color, Smooth and Accurate Color Adjustment 3,000-6,000 K

• Ultra High Color Rendition TLCI 99, CRI 95

• Interchangeable Optics for 30°, 60°, 120° Beam Angle

• 0-100% Dimming Range

• Flicker Free at Infi nite Frame Rates

• DMX/RDM, Ethernet and Wireless Interfaces

• Passive Cooled, No Fans or Moving Parts

• 500 W Power Consumption • Fixture Weight 5.5 Kg [12 lbs]

Sumo Space Light Spec Sheet

Luminys 10K Softsun

Daily $

Luminys 10K Softsun
Wattage: 10,000
Lamp Type: Enhanced Spectrum Plasma™
Color Temperature:      . 5,000º Kelvin
CRI: +96
Dimensions: 68”L x 23”H x 48″D
(172.72 x 58.42 x 121.92 cm)
Weight: 160 Pounds
(72.58 Kilograms)

Briese Focus 77

Daily $

Briese Focus 77

Focus 77 is a key-light for ultra-smooth harmonic progressions. Due to its soft reflective reflector-coatings it covers up some errors in the make-up and smoothes out wrinkles, without appearing flat. That makes the focus 77 to one of the most popular Beauty- and Close Up-lights in Photographic- and Filmstudios worldwide.

Our Briese light is offered with a 1.2K HMI or Tungsten globe.

 

 

Aura Soft 4K & 2.5K

Daily $

Aura Soft 4K & 2.5K

The OpTex Aurasoft delivers a truly natural soft light where you want it, when you want it and at the power level and color temperature you need. And, being a direct light, there are no diffusers, no reflectors – NO SECONDARY SHADOWS! Whether you’re shooting Film, Video or Stills, in the studio or on location, Aurasoft will deliver an astonishingly even, virtually shadowless, soft natural light of stunning quality across an exceptionally large area.

All these remarkable operational benefits are due to the unique, innovative and patented reflector design. Aurasoft’s superb quality of light is no accident. The reflector consists of thousands of tiny, individual spheroidal convex mirrors. Each mirror reflects angled beams of light that crisscross one another, reducing the directness and producing an effect of softness never before achieved. Moire patterning is avoided by varying the mirror size and position. The reflector is mounted in an all new, extremely robust housing designed to stand up to the rigors of film and video location use and is equally well suited to studio shoots.

Interchangeable HMI and Tungsten lampheads make color temperature changes a simple procedure. All lampheads are dimmable. HMI is compatible with most ballasts available from a wide range of manufacturers.

The Aurasoft 600 is available with a 3K Tungsten, 1.2K HMI or 2.5K HMI lamphead.

4K Arc Light Efx Piggyback

Daily $

4K Arc Light Efx Piggyback

When size is a restriction on any location, clients know to request a ballast-in-head fixture. The 4kw piggyback uses the same lamp head as the standard 4kw fixture, but with the ballast built into the bottom of the unit for space conservation. No head cables necessary!

Arc Light Efx Britelight 7K

Daily $

Arc Light Efx Britelight 7K

The Xenotech Britelight 7000 portable system is the brightest portable searchlight system of it’s size available anywhere in the world. This specialized three-phase searchlight system is designed to withstand the rigors of daily use in motion picture production, rental, and other high demand searchlight applications, the Xenotech Britelight 4000 portable system is a specialized high-wattage searchlight system.

The lamp head optical system utilizes a unique 7000 watt short-arc xenon lamp and a high efficiency short focal length electroformed parabolic reflector to produce the most intense beam of collimated, daylight-balanced light available.
The optical system also incorporates a motorized focus mechanism that allows the beam angle to be adjusted from the lamp head, ballast, or from a remote location when using the optional remote control system. Power control switches located on the rear of the lamp head allow the lamp to be ignited and extinguished at the lamp head as well as the ballast and in remote control locations.

The lamp head cooling system utilizes redundant high-volume, low-velocity blowers to achieve a level of cooling performance far in excess of any comparable system. This level of cooling allows the lamp head to be used in the most demanding temperatures without fear of failure. In addition to its cooling efficiency the cooling system incorporates extensive sound absorbing, vibration dampening, and baffling to minimize the cooling system sound level.

The new Xenotech high-current globe interface allows the globe to be serviced or replaced from the front of the lamp head with just the removal of the front lens holder. The lamp head yoke terminates in a standard 1-1/8″ pin, allowing the use of all stands, hanging, and mounting devices configured for this size pin.

The Britelight 7000 lamp head is safety listed as “suitable of wet locations” by ETL

Kino Flo

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Kino Flo

Kino Flo is one of the most versatile lights in the industry. We have sizes ranging from 2 foot singles to 4 foot 4 banks. Any questions on Kino products please give us a call.

Available from 2700K Globes to 5600K Globes.

Specialty globes available as well call for more details.

 

 

Kino Wall-O-Lite

Daily $

Kino Wall-O-Lite

The Kino Flo Wall-o-Lite uses 10 – 4ft T12 True Match tubes making it an ideal softlight source for filming on location. It can be safely plugged into wall outlets because it operates at 1/4 the power of comparable tungsten softlights. And, with a narrow profile, the Flo Wall-o-Lite fixture approximates the quality of light from bounced sources. As a comparison, one fixture can put out as much light as a 2.5K HMI fresnel bounced off white foam core, yet with its narrow profile it can be backed up to a wall with a minimal loss of set space. The Wall-o-Lite is as flexible and easy to manipulate as a bounce card on a grip stand.

Kino Flo Image 87 DMX

Daily $

Kino Flo Image 87 DMX

The Image 87 DMX fixture’s large soft light coverage and its small, energy footprint at only 4.8A 120VAC, combined with the ease of rigging compared to tungsten lighting sources makes it the darling of motion picture and television visual effects designers.

The relatively cool source takes about six different colored visual effects lighting colors, but most notably the specialized Kino Flo spiked blue and spiked green tubes for deep, rich saturation of color when lighting blue and green colored cyclorama stages.

Its smaller sibling, the Image 47 DMX, produces the same quality of light, with the same light control and beam spread features, but uses half the energy. The Image 47 works ideally on bluescreen and greenscreen stages that are no more than 15 feet in height.

Flathead 80/DMX

Daily $

Flathead 80/DMX

What is a Flathead 80? Basically, the Flathead 80 is a hybrid Kino Flo. Its design adds flexibility and versatilty to the

popular 4Bank portable system with the outsized soft light quality you’d expect from a large fixture like the Image 87.

It can be hand-held, mounted on a light stand or hoisted from rigging points to work as a cool, energy efficient coop light.

The 8-Lamp Fixture

  • Aluminum alloy fixture housing
  • Reflector, Gel Frame, Louver
  • Twist-on Center Mount
  • True Match® daylight, tungsten The High Output Ballast (X2)
  • 4Bank and 4Bank DMX
  • Universal input 100VAC-240VAC
  • HO/Standard switching
  • Flicker-free, remote operation
  • Individual lamp control

 

Kino Flo ParaBeam

Daily $

Kino Flo ParaBeam

The ParaBeam 410 and 210 studio fixtures display about the same amount of soft light as a 2,000 Watt and 1,000 Watt tungsten light, respectively. But ParaBeams only use 1/4th as much power! Both studio lights take Kino Flo True Match®
high color rendering lamps (CRI 95).

The soft beam actually can be focused for a wide variety of set lighting looks, from lighting four people across a news desk to spotting down to a single subject. Some of the ParaBeam’s details are:

• Onboard/remote DMX dimming
• Auto terminate for DMX
• Lamp/Select switching (410 fixture only)
• Parabolic intensifying reflector
• Gel Frame
• Focusing Louver
• True Match® daylight, tungsten

Kino Flo Diva Lite 415

Daily $

Kino Flo Diva Lite 415

The Diva-Lite 415 Fixture
• Built-in dimming ballast
• Universal input 100VAC-240VAC
• 4-Lamp/2-Lamp switching
• Remote dimming
• Built-in Barndoors
• Center Mount
• Reflector, Louver, Gel Frame
• True Match® daylight and tungsten balanced lamps

Kino Mini Flo Kits

Daily $

Kino Mini Flo Kits

The Mini-Flo System, sometimes called a “car kit,” can be found most often lighting nighttime car interiors and other small areas. However, over the years, the Mini-Flo’s unique lightweight and color control features have endeared it to video and broadcast lighting designers as a cool, efficient chin light for speakers at a podium or news anchors in a TV studio. The Mini-Flo is available with single dimming ballasts, plus a choice of 9” or 12” fixture and lamp sizes.

Mini-Flo Features Include

  • 12V Dimming Ballast
  • Flicker-free, instant-on
  • Runs lamps 9″ and 12″
  • Removable Lamp Harness
  • Focusing Louver
  • True Match® daylight and tungsten lamps

Mini-Flo System Highlights

  • 1-Lamp remote fixture
  • Fixture includes Louver and removable Harness
  • Same fixture takes daylight and tungsten lamps
  • Light enough to tape to car dashboard
  • Fixture or Lamp w/ harness runs up to 48ft (15m) (4 x 12ft cables) from ballast
  • High Output, Flicker-free Ballast
  • Instant-on, dead quiet
  • Dimming control
  • Same ballast runs 9″ & 12″ lamps
  • UL listed, CE approved

Fresnels 100W to 20K

Daily $

Fresnels 100W to 20K

We offer fresnels of all sizes! From small LTM 100W Peppers all the way up to 20K bright eyes. For pricing information please give us a call!

 

 

Arri Softbank I Tungsten 4 Light Kit

Daily $

Arri Softbank I Tungsten 4 Light Kit
  • 1- 300 Fresnel
  • 2- 650 Fresnels
  • 1- Arri 1K Open Face
  • High Output HPL Lamp
  • Barndoors, Filter Frames
  • Scrims, Stands, Bulbs
  • Accessory Pack
  • 24 x 32″ Softbox, Heavy Duty Case

Customize this package to your liking as well! Feel free to give us a call with any questions.

ETC Source Four Leko 750

Daily $

ETC Source Four Leko 750

No other light offers such optical brilliance. Source Four’s revolutionary technology gives you a clean white beam for unequaled imaging, crisp pattern projection, and a bright, even field. The EDLT lens tube option for 19º, 26º, 36º and 50º field angles makes the Source Four even better for ultra-crisp, high-contrast gobo projections.

Product Features

  • 5º, 10º, 14º, 19º, 26º, 36º, 50º, 70º and 90º field angles
  • Rated up to 750W
  • Super-efficient HPL lamp
  • Faceted dichroic reflector removes 90% of IR heat from beam
  • Interchangeable lens tubes
  • Rotating barrel ± 25º
  • Three-plane stainless-steel shutter blade assembly
  • Tool-free lamp adjustment
  • Insulated rear handle
  • Rugged die-cast aluminum construction
  • Supports Dimmer Doubling™ (North America only)

 

 

Open Face Fixtures

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Open Face Fixtures

We offer 1k and 2k open face fixtures.

Arri L7C

Daily $

Arri L7C

Color temperature, tint and hue can be continuously adjusted from 2,800 K to 10,000 K, between full plus or minus green and RGBW colors.

LIGHT ENGINE 2
L7-Cs with the new LE2 are 25% brighter than previous L7-C versions.

STAND-MOUNT
versions include the following base configuration: 28 mm Spigot (Junior Pin), Inline Switch, Integrated 5-Pin DMX In and Thru.

HANGING
versions include the following base configuration: 28 mm Spigot (Junior Pin), 1,5 m (5 ft) Cable with Bare Ends, Integrated 5-Pin DMX In and Thru.

POLE-OPERATED
versions include the following base configuration: Pole Operation for Pan, Tilt and Focus, 28 mm Spigot (Junior Pin), 1,5 m (5 ft) Cable with Bare Ends, Integrated 5-Pin DMX In and Thru.

Arri Skypanel S60-C

Daily $

Arri Skypanel S60-C

The S60 is a mid- range model, featuring a light aperture of 645 x 300 mm and accommodating the vast majority of applications. The S30 is a smaller, more portable version; half the length of the S60, it is perfect for on-the-go mobile applications. The S60 and the S30 are available in fully color tuneable and remote phosphor versions.

Unlike other tuneable fixtures, SkyPanel makes no sacrifice when it comes to light output. SkyPanel puts out a tremendous amount of light, in a soft and uniform beam field. Brighter than a 1 kW tungsten soft light or a 3 kW tungsten space light, the SkyPanel S30 has more than enough light for most applications. At the same time, the lamphead is able to perform beautifully at lower light levels. This range of illumination and color gives users an unprecedented amount of control.

Kino Select LED 30 DMX

Daily $

Kino Select LED 30 DMX

Kino Flo’s Select LED 30 and 20 DMX systems were launched with great success in June 2016. Lighting crews embraced the remote LED controller and the light-weight fixture that allow for rigging flexibility. In addition, users welcomed the ability to dim without color shift, dial in Kelvin temperatures, and select Green/Magenta settings using on-board controls or DMX lighting consoles. But, there was also a built-in secret.

Kino Flo launched the Select LED system as a white light source with Green/Magenta selection. Kino Flo used an RGB emitter to control the Green/Magenta color, but we knew that the RGB feature could do more. We just needed to sort out a menu system that would be as intuitive when using the controller manually as when using it on DMX.

The solution was to have a second menu option. Those who prefer to work with white light can use the “white menu” that gives the user access to Dimming, Kelvin and Green/Magenta control channels.

Those who want additional features can switch over to the new “color menu”. In the color menu, the Kelvin range travels from 2500K tungsten to 9900K daylight, and Kino Flo has set up a fourth channel called Gels. The Gel channel includes Kino Flo colors to match Candle Flame, Warm White, Cool White, Sodium Vapor, Mercury Vapor, 20K Blue Sky, Green Screen and Blue screen.
In addition, there is a range of gels that can be applied to any Kelvin setting. Simply scroll through the menu to choose up to
105 well-known lighting gels.

In the color menu there is also a fifth channel called Hue Angle and sixth channel, Saturation. These two channels behave
similar to a traditional color wheel, where you have white light in the center, the Hue angle determines the color along a
360-degree range, and Saturation determines how much color is applied. For example, if a user wants to review the choices,
they can set Saturation to 100% and scroll through 360-degrees of color to choose the desired hue, and adjust the Saturation to their liking. Reducing the saturation to “0” will take the settings back to white light.

Kino Flo Celeb 200

Daily $

Kino Flo Celeb 200

The Celeb® LED 201 DMX produces a soft, even wraparound lighting quality (CRI 95) and produces color faithfully, beautifully on HD or film, in the studio or on location. The Celeb LED 201 measures 24” x 14” (61cm x 35.5cm) and is similar in profile and light output as the popular Diva-Lite 415.

The Celeb LED boasts technical innovations that make it an ideal professional imaging tool: a dial-in variable color temperature control, full-range dimming and programmable 2700K to 6500K presets. The Celeb LED’s 100 Watts of soft, lustrous white light doesn’t flicker or shift color temperature when dimmed. With the use of a Lumen Radio transmitter (sold separately), the Celeb LED 201 can be operated DMX wirelessly as an alternative to DMX cables.

The trim, lightweight fixture operates on universal AC power, 100VAC-240VAC, and needs only less than one amp to produce more lumens than a 750W tungsten soft light. The Celeb LED 201 can also be powered by 24VDC battery. The Celeb LED’s cost savings from low energy and long lamp life continues Kino Flo’s reputation as an environmentally friendly lighting company.

The Celeb LED 201 comes complete with 360 degree mounting, molded accessory holders, removable gel frame and focusing louver.

DMG Lumiere SL1 Bi-Color

Daily $

DMG Lumiere SL1 Bi-Color

The SL1 by LUMIÈRE is a LED light designed by a gaffer and a cinematographer, exclusively for the Motion Picture Industry.


  • Incredible color quality with CRI > 94 and TLCI > 91-94 with a very fine color temperature tolerance
  • Incredible size/weight/power ratio
  • Comes with frosted diffuser (easily removable) and the 360° Mount as standard
  • Comes with DOP choice snapgrid, diffusion, and softbox.

DMG Lumiere Mini Bi-Color

Daily $

DMG Lumiere Mini Bi-Color

The MINI Switch has the same attributes as the original SL1 Switch, which for its size/weight/power ratio has an outstanding light quality.

Together the sleekness (0.8″) and light weight (3.7lbs) design, enhance the MINI Switch’s’ usability, making it a perfect on-location light.

Its frame and accessories have been designed to be both robust and ergonomic, which add to the facility of use.

Autonomous, mobile and heavily accessorised, the MINI Switch offers maximum usability in any shooting conditions.

Comes with DOP choice snapgrid, diffusion, and softbox.

Litemat 2L

Daily $

Litemat 2L

Building on the success of the original LiteMat, with its thin and ultra lightweight housing, soft color-correct Hybrid (bi-color) output, and convenient mounting options, the S2 LiteMat takes lighting to the next level. The new S2 LiteMat is nearly 40% brighter than the original LiteMat, has better color quality, and a widely extended Kelvin range all without an increase in power draw. In addition, overall CRI increased to 95+ with a matching TLCI of more than 95 as well. With all of these tremendous advancements, S2 LiteMat remains compatible with all existing LiteDimmers, LitePower supplies, and cables.

The S2 LiteMat 2L is based on two  “tiled” light engine measuring 9.5 in. x 19 in. (240 mm x 480 mm). The head unit features 576 genuine CineMitter LEDs and is covered by a thin, clear polycarbonate layer and bordered entirely with Velcro® “loop” fastener. Mounting is provided with a Kino Flo® compatible, removable gimbal mount. The “soft-through-pixelization” method allows the LiteMat 2L to achieve surprisingly bright light levels while remaining under 1 in. (25 mm) thick and weighing just 3.5 lb (1.6 kg).


Litemat 4

Daily $

Litemat 4

Building on the success of the original LiteMat, with its thin and ultra lightweight housing, soft color-correct Hybrid (bi-color) output, and convenient mounting options, the S2 LiteMat takes lighting to the next level. The new S2 LiteMat is nearly 40% brighter than the original LiteMat, has better color quality, and a widely extended Kelvin range all without an increase in power draw. In addition, overall CRI increased to 95+ with a matching TLCI of more than 95 as well. With all of these tremendous advancements, S2 LiteMat remains compatible with all existing LiteDimmers, LitePower supplies, and cables.

The S2 LiteMat 4 is based on four “tiled” light engine measuring 9.5 in. x 19 in. (240 mm x 480 mm). The head unit features 1152 genuine CineMitter LEDs and is covered by a thin, clear polycarbonate layer and bordered entirely with Velcro® “loop” fastener. Mounting is provided with a Kino Flo® compatible, removable gimbal mount. The “soft-through-pixelization” method allows the LiteMat 2 to achieve surprisingly bright light levels while remaining under 1 in. (25 mm) thick and weighing just 5.7 lb (2.6 kg).

Litepanel Astra 1x1 BiColor

Daily $

Litepanel Astra 1x1 BiColor

The ASTRA 1×1 Bi-Color panel builds on the legacy of the original 1×1 fixture, which revolutionized the lighting industry. This innovative daylight to tungsten tunable color model was years in the making, with every design element of this next generation panel being meticulously crafted. Following the Litepanels tradition of a one square foot form factor, the ASTRA series is designed with select premium quality, high CRI, surface mount LEDs and paired with custom designed TIR optics. These tightly binned LEDs and fine-tuned optics provide the ASTRA 1×1 with superior color reproduction and a light output that is up to four times brighter than traditional LED panels. This higher intensity results in a longer throw and illuminates a wider area, allowing the panel to compete with strong exterior light sources or illuminate a large area effectively with just a single fixture. See Product Comparison.

  • Output is 4X brighter than the original 1×1 LED panel
    • High performance LEDs with custom paired optics
    • Higher intensity = Longer throw = Wider effective beam spread
  • Superior color reproduction
    • High color rendition (CRI)
    • Adjustable (daylight to tungsten), accurate color temperatures
  • Efficient thermal management with user selectable dual cooling mode
    • Completely silent passive cooling mode
    • Ultra-quiet active cooling mode with double light output
  • Ultra-smooth dimming from 100% to 0
    • No noticeable color shift throughout the entire range
    • Flicker-free at any frame rate or shutter angle
  • Flexible, modular concept
    • Optional communications module allows the brightness, color temperature, and cooling mode to be controlled via DMX512 protocol (Additional module options under development)
    • Optional yoke mounted Gold Mount® or V-Mount battery plates
    • Field replaceable fan module and external power supply
  • Modern fixture design
    • Easily identifiable and ergonomic manual controls for dimming, color, and power status
    • Aluminum I-beam core construction to provide maximum durability and superior thermal management
    • Aluminum accessory mounting points and lens/filter rails
    • End cap exhaust vents angle downward to direct air flow away from the fixture and help prevent foreign material from entering
    • Durable, industry standard 3-pin XLR locking power connector
  • Custom curved yoke design
    • Wide, unobstructed tilt range
    • Yoke mounted power supply and optional battery plates with dual integrated cable guides
    • Removable TVMP connector for flexible mounting options
    • Two alternate ¼-20 mounting points

Quasar Science LED Lamps

Daily $

Quasar Science LED Lamps

The Quasar Science LED lamps are one of the most versatile pieces of LED technology we have to offer. Turn a kino 4 foot head into an led all with integrated color temperature dimmers. No more gels and no more mess hanging from your fixtures.

Linear LED Lamp

The X Crossfade lamps have a wheel at the end of the unit to scroll to the desired setting.

Length and Wattage:

1′ 15watt – Q15X
2′ 25 watt – Q25X
4′ 50 watt – Q50X

Color Temp: 2000k-6000k Crossfade Wheel

Color Rendering Index: 95 CRI +
Flicker Free
Dimmer Compatible
25,000 + Hour Lifetime

Nila Boxer

Daily $

Nila Boxer

The Boxer gives you the most flexibility and best performance for a full range of lighting applications.  From punchy to soft, the Boxer’s holographic film lenses allow you to dial in the perfect look every time.  The Boxer is the perfect upgrade from hot and power-hungry HMIs and tungsten fixtures.  With a power draw of only 200W, flicker-free operation, and powerful output, the Boxer is an indispensable part of any lighting package.

Download Nila’s Boxer Product Data Sheet.

Specifications:

  • 20-30V DC or 90-305V AC Input
  • ETL and CE compliant
  • Draws only 200 watts
  • Power factor corrected
  • Instant On
  • Built-in dimmer
  • Available in daylight or tungsten
  • Color accurate from fixture to fixture
  • Stable color reproduction through entire dim range
  • Flicker-free up to 5000 FPS for full dim range
  • Flicker-free at any speed at 100%
  • Emits no UV or IR
  • Long-life LEDs
  • Built-in Chimera mount
  • DMX controllable
  • Two year limited warranty

Arri M18

Daily $

Arri M18

The M18 combines MAX Technology, True Blue features and a new 1800 W lamp. The result is an exciting new class of HMI that can be powered from most domestic sockets. It is as small as a 1200 W PAR lamphead but with 70% higher light output. Adjustable from 20° to 60° beam angle, the M18 can also be used with 1200 W lamps.

Arri M40

Daily $

Arri M40

Like all members of the M-Series, the M40 unifies the advantages of a PAR light and a Fresnel fixture. Due to the unique lens-less MAX Technology, the unit is open face and thus very bright, but also focussable over a range of 18 to 52° HPA (Half Peak Angle), casting a crisp shadow. The reflector characteristics is optimised for 4000 W lamps, but can also be used with 2500 W lamps.

The lamphead is equipped with a CCL module (compensation for cable loss). When operated with the ARRI EB 2.5/4 with CCL, full power is maintained all the way to the lamp even when very long cables are used. This means uniformly high light output independent from cable length.

Arri M90

Daily $

Arri M90

To close the gap between the M40 and the ARRIMAX 18/12, the M90 introduces a new power class of 9,000 W. The unit is open-faced and very bright; it is also focusable from 16° up to 49°, producing a remarkably even light field and a crisp, clear shadow. ARRI technology partner Osram developed a new 9,000 W lamp for the M90, which is stable at 1,000 Hz and almost as small as the 6,000 W lamp that can alternatively be used. This allowed ARRI to design the M90 in a very compact housing, barely larger than the ARRISUN 60.

Accompanying the M90 is a new ballast, the EB 6/9, available in standard and high speed versions. Like other recent ballasts from ARRI, it features CCL (Compensation for Cable Loss) technology and the power-saving ALF (Active Line Filter). The EB 6/9 is DMX compatible and no bigger than ARRI’s existing EB 6000 Baby ballast. ETL certified versions of EB 6/9 are available.

ARRIMAX 18K / 12K

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ARRIMAX 18K / 12K

The original Academy Award-winning ARRIMAX remains the ultimate choice for productions requiring maximum light output. The 580 mm (22.83”) diameter, parabolic facetted reflector provides continuous focus adjustment from 15° to 50° beam angle and, since the ARRIMAX does not require a set of spread lenses, shadows are sharp and easily cut.

18,000W Single Ended lamps use a sturdier GX51 lamp base for which ARRI engineers have designed a special lampholder. This new lampholder alleviates mechanical stress from the lamp pins, which now serve only as an electrical connection. The lamp clamping mechanism is self-aligning and uses a rugged, recessed lamp lock handle. To ensure that crews can easily use 12,000 W lamps or versions of 18 K Single Ended lamps with G38 bases, the new lampholder accepts either lamp type with no modification or adjustment required.

Briese Focus 180

Daily $

Briese Focus 180

The focus 180 makes the Briese-principle obvious. Fully focused it creates dramatic lighting with multiple screen differences between the centre and the edge of the picture. Almost like day and night. Perfect for strong accentuations. With just one setup you can create various lightning moods. Those characteristics and its versatility make the focus 180 to the favorite of many fashion photographer.

Lamp head: 6000W / 12000W

LTM 18K Fresnel

Daily $

LTM 18K Fresnel

Having a “Big Gun” like this LTM Daylight 18K HMI fresnel light (with its 20-inch lens) in your lighting arsenal gives you the ability to produce a tremendous amount of light from one lighting source– whether used as a daytime fill source or for large nighttime setups.  A large, powerful, single light source also eliminates the need to combine multiple light sources which eliminates the multiple shadow problem created by combining sources.

Joleko 400 & 800 (Bug-A-Beam)

Daily $

Joleko 400 & 800 (Bug-A-Beam)

The K 5600 BUG-LIGHT design offers so many possibilities it is tempting to ‘stick it’ in almost any optical system one runs across. One obvious and popular device is the ETC Source-4. This elegant design of a pattern and Gobo projector has showed up in various applications and is widely accepted throughout the entertainment industry.

The BUG-A-BEAM Adaptor is the part that makes the mating of a Source-4 and our Bug-Light 400 or 800 not only possible but quick and easy. The 400 (or 800) MSR/HMI lamp offers many advantages in this particular application, its 6 mm arc gap is punctual enough and very well suited for such optical design. The 4 to 1 efficiency ratio of HMI versus Tungsten incandescent explains the two full stops gain.

This huge increase in light level allows patterns to be visible in higher ambient light levels, longer distances as well as through the deepest color gels. K 5600 is continuously looking at expanding and promoting the use of its products and HMI in general for location work. The JOKER-BUG program equips the image-maker with a very versatile tool: a PAR fixture for directional lighting, a BUG for soft and lantern lights, a SOFTUBE for linear soft sources and now with the BUGABEAM Adaptor for a controllable high intensity beam projector.

Joker Bug 400 & 800 Par

Daily $

Joker Bug 400 & 800 Par

400

The Joker-Bug 400 combines the characteristics of the BUG-LITE 400, a 400 Watt daylight HMI system without optics, with those of the JOKER 400, a PAR 46 fixture using a specular parabolic reflector and a set of 4 lenses. The JOKER-BUG 400 is comparable to a 1500/2000Wquartz fixture but with a power draw of only 5.5 Amps.

In the Bug-Lite mode (no optics) the main application is in traditional Lightbanks as well as Lanterns where it uses the sides as a large reflector, collecting the maximum output of the lamp and filling the front screen very evenly. It is very powerful in daylight interiors and can operate in any position including pointing straight down.

The BEAMER optical accessory turns the BUG-LITE into a JOKER-BUG, a directional PAR unit offering various beam patterns through quick lens changes. The JOKER-BUG 400 offers the most flexible optical configuration for location lighting by achieving Spot to Flood ratios of 80 to 1 with beam angles from as narrow as 5 degrees to as wide as 55 degrees.

The JOKER-BUG 400 is delivered with a Clear Glass Beaker when reaching for full intensity is important, and a Frosted Glass Beaker when light quality is the prime concern. The 400W MSR lamp was selected for its size/weight and the sizes/weights of the
components needed to operate it. The MSR lamp with its GZZ 9.5 base is considerably smaller than the next traditional Wattage, the 575 (G22 base); this in turn allows for more compact and shorter fixture design. The shorter arc gap of the 400 makes up for the difference of output between 400 and 575 and the lower Wattage does not require forced air cooling of the power supply.

The small, quiet ballast can be hidden anywhere and plugs in any circuit without risk of overloading. With the Slimverter 400 and two 30 volt batteries, the JOKER-BUG 400 is the largest 30 volt battery powered HMI. Motion Picture Gaffers and Freelance Cameramen have adopted the JOKER-BUG 400 for fine daylight interiors, car shots, two camera interviews, TV magazines, documentaries and industrials.

800

MORE OUTPUT
Because of the increasing use of Chimera® Lightbanks for fine daylight interiors, two camera interviews, TV magazines, and documentaries, we designed this fixture to take full advantage of the large reflective material inside a Lightbank. Utilizing our BUG™ “bare-bulb” design we can produce an amazing 50% more output than a JOKER 1200!

READY TO FLY
The JOKER-BUG 800 fits in one tiny airline case, weighing only 38lbs. The next wattage up (1200) is twice the size and weight. The actual size of the kit is exactly the same as a JOKER-BUG 400 Kit!

LOCATION FRIENDLY
When working in practical locations such as homes, offices or business, power consumption is a key factor. The JOKER-BUG 800 will produce as much output as a 4,000 Watt quartz fixture with the power draw of only 11 Amps, never risk overloading a circuit again! The next size up (1200) monopolizes an entire circuit whereas the JOKER-BUG 800 will allow for another source such as a JOKER-BUG 400 on the same circuit!