Arri L7C

Daily $

Arri L7C

The Silver/Blue, Manual Mount L7-C LE2 Color LED Fresnel is part of ARRI‘s continuing effort to replace traditional Fresnels with powerful LED versions that offer unprecedented color control. The L7-C LE2 shares many characteristics with its predecessor, but the most obvious improvement is a 25% boost in power, increasing the light’s tungsten equivalency from 750W to 1000W. This stand/manual mount version has a yoke with a 1-1/8″ Junior pin.

The key characteristic of any Fresnel is flood-to-spot capability, and the L7-C LE2 meets and exceeds expectations with an impressive beam angle of 15-50°. There’s no learning curve when swapping out L7-C LE2 fixtures for fixtures with standard Fresnels. In fact, you’re not going to be moving them around or juggling scrims in high places thanks to the 100 – 0% on-board dimming.

The L7-C LE2 is a “fully tune-able” white light source too, allowing you to match existing fixtures from a warm 2800K to ice-blue 10,000K. The on-board controller allows manual intensity control as well as color temperature and +/- green. Specific color shades and skin tones can be matched through the full gamut color mixing feature. All functions can be controlled via DMX, an ideal feature for broadcast studios. The hybrid cooling system allows for cooling both actively (with a fan) or passively (without a fan) for times when the set needs to be dead quiet. The L7-C LE2’s 1000W equivalent output draws only 160W during normal operation, making possible a savings of a 75% over similar output tungsten lights. And low heat means lower AC bills in the studio. You can actually run 9x L7-C LE2’s from a 20A, 120VAC outlet as opposed to two 1000W or three 650W standard fixtures.

Attributes and Benefits
  • L7-C LE2s with Light Engine 2 are 25% brighter than previous versions
  • Fully tuneable from 2800 – 10,000K
  • Plus/Minusgreen correction
  • Vibrant color selection (RGB+W color gamut)
  • Hue and saturation control
  • High color rendering
  • Low power consumption (160W nominal)
  • Fully dimmable
  • True Fresnel lens light characteristics from LEDs
  • Onboard DMX In and Out
  • RDM implementation
  • USB Mini connection for firmware updates
  • Available in blue/silver and black
  • Fan mode selection

Arri L10-C

Daily $

Arri L10-C

This stand mount 15 to 50 degree focusable ARRI L10-C Color LED Fresnel is part of the company’s L10 series of Fresnels. The L10-C is the most versatile of the series with regard to color tuneability, producing vivid colors with saturation control.

The light’s 10″ Fresnel lens and powerful output allow for more distant fixture placement and the wrapping of light around objects in a natural and pleasing way. Consuming only 400 Watts, it is extremely energy efficient, requiring one-fifth of the power as a traditional 2K light while outputting light equivalent to a 1,700W bulb.

Attributes
  • Fully color tuneable from 2,800 – 10,000K
  • Plus/Minus Green correction
  • Vibrant color selection (RGB+W color gamut)
  • Hue and saturation control
  • High color rendering
  • Low power consumption
  • Fully dimmable
  • True Fresnel lens light characteristics
  • Onboard DMX in and out
  • RDM implementation
  • USB Mini connection for firmware updates
  • Fan mode selection
  • powerCON TRUE1 power connector

Arri Skypanel S60-C

Daily $

Arri Skypanel S60-C

The S60 is a mid- range model, featuring a light aperture of 645 x 300 mm and accommodating the vast majority of applications. The S30 is a smaller, more portable version; half the length of the S60, it is perfect for on-the-go mobile applications. The S60 and the S30 are available in fully color tuneable and remote phosphor versions.

Unlike other tuneable fixtures, SkyPanel makes no sacrifice when it comes to light output. SkyPanel puts out a tremendous amount of light, in a soft and uniform beam field. Brighter than a 1 kW tungsten soft light or a 3 kW tungsten space light, the SkyPanel S30 has more than enough light for most applications. At the same time, the lamphead is able to perform beautifully at lower light levels. This range of illumination and color gives users an unprecedented amount of control.

Skypanel S30-C

Daily $

Skypanel S30-C

ARRI continues to broaden their LED line and reaffirm their commitment to accurate color rendering with the introduction of the blue/silver SkyPanel S30-C LED Softlight. Supported by a manual aluminum yoke, the panel’s surface area measures 14 x 11.8″, making it an ideal portable, on-the-go light source for mobile applications. Output is controlled via interchangeable thermoplastic diffusers that range from Standard to Lite to Heavy to soften the light and wrap its output around your subject and the SkyPanel S30-C outputs the equivalent of a 1000W tungsten soft light while drawing a maximum of only 240W.

Kino Select LED 30 DMX

Daily $

Kino Select LED 30 DMX

Kino Flo’s Select LED 30 and 20 DMX systems were launched with great success in June 2016. Lighting crews embraced the remote LED controller and the light-weight fixture that allow for rigging flexibility. In addition, users welcomed the ability to dim without color shift, dial in Kelvin temperatures, and select Green/Magenta settings using on-board controls or DMX lighting consoles. But, there was also a built-in secret.

Kino Flo launched the Select LED system as a white light source with Green/Magenta selection. Kino Flo used an RGB emitter to control the Green/Magenta color, but we knew that the RGB feature could do more. We just needed to sort out a menu system that would be as intuitive when using the controller manually as when using it on DMX.

The solution was to have a second menu option. Those who prefer to work with white light can use the “white menu” that gives the user access to Dimming, Kelvin and Green/Magenta control channels.

Those who want additional features can switch over to the new “color menu”. In the color menu, the Kelvin range travels from 2500K tungsten to 9900K daylight, and Kino Flo has set up a fourth channel called Gels. The Gel channel includes Kino Flo colors to match Candle Flame, Warm White, Cool White, Sodium Vapor, Mercury Vapor, 20K Blue Sky, Green Screen and Blue screen.
In addition, there is a range of gels that can be applied to any Kelvin setting. Simply scroll through the menu to choose up to
105 well-known lighting gels.

In the color menu there is also a fifth channel called Hue Angle and sixth channel, Saturation. These two channels behave
similar to a traditional color wheel, where you have white light in the center, the Hue angle determines the color along a
360-degree range, and Saturation determines how much color is applied. For example, if a user wants to review the choices,
they can set Saturation to 100% and scroll through 360-degrees of color to choose the desired hue, and adjust the Saturation to their liking. Reducing the saturation to “0” will take the settings back to white light.

Kino Flo Celeb 200

Daily $

Kino Flo Celeb 200

The Celeb® LED 201 DMX produces a soft, even wraparound lighting quality (CRI 95) and produces color faithfully, beautifully on HD or film, in the studio or on location. The Celeb LED 201 measures 24” x 14” (61cm x 35.5cm) and is similar in profile and light output as the popular Diva-Lite 415.

The Celeb LED boasts technical innovations that make it an ideal professional imaging tool: a dial-in variable color temperature control, full-range dimming and programmable 2700K to 6500K presets. The Celeb LED’s 100 Watts of soft, lustrous white light doesn’t flicker or shift color temperature when dimmed. With the use of a Lumen Radio transmitter (sold separately), the Celeb LED 201 can be operated DMX wirelessly as an alternative to DMX cables.

The trim, lightweight fixture operates on universal AC power, 100VAC-240VAC, and needs only less than one amp to produce more lumens than a 750W tungsten soft light. The Celeb LED 201 can also be powered by 24VDC battery. The Celeb LED’s cost savings from low energy and long lamp life continues Kino Flo’s reputation as an environmentally friendly lighting company.

The Celeb LED 201 comes complete with 360 degree mounting, molded accessory holders, removable gel frame and focusing louver.

DMG Lumiere SL1 Bi-Color

Daily $

DMG Lumiere SL1 Bi-Color

The SL1 by LUMIÈRE is a LED light designed by a gaffer and a cinematographer, exclusively for the Motion Picture Industry.


  • Incredible color quality with CRI > 94 and TLCI > 91-94 with a very fine color temperature tolerance
  • Incredible size/weight/power ratio
  • Comes with frosted diffuser (easily removable) and the 360° Mount as standard
  • Comes with DOP choice snapgrid, diffusion, and softbox.

DMG Lumiere Mini Bi-Color

Daily $

DMG Lumiere Mini Bi-Color

The MINI Switch has the same attributes as the original SL1 Switch, which for its size/weight/power ratio has an outstanding light quality.

Together the sleekness (0.8″) and light weight (3.7lbs) design, enhance the MINI Switch’s’ usability, making it a perfect on-location light.

Its frame and accessories have been designed to be both robust and ergonomic, which add to the facility of use.

Autonomous, mobile and heavily accessorised, the MINI Switch offers maximum usability in any shooting conditions.

Comes with DOP choice snapgrid, diffusion, and softbox.

Litemat Plus Series

Daily $

Litemat Plus Series

Comes in 5 different sizes to learn more about these fixtures visit the LiteGear website.

The new LiteMat+ Plus series of LED light fixtures is the ideal luminaire for set lighting and rental company inventories. LiteMat+ Plus incorporates everything you love about LiteMat, features the new CineMitter, and adds some distinctly new features.  The most notable change is the PL7 locking connection system, which happens to be the same for every size of LiteMat+ Plus and the new LiteDimmer+ Plus series of dimmers with built-in camera battery mounts. Available in 5 sizes, LiteMat remains one of the most affordable, professional cinema lighting fixtures available today.

LiteGear officially unveils the new CineMitter series of applied-phosphor LEDs. Exclusive to LiteGear, these new emitters set the standard for cinematic, color-correct LED lighting. Efficient and full-spectrum, these LED chips offer state-of-the-art output with a 40% increase in brightness over VHO Pro. Another distinct feature of the CineMitter is the extended Kelvin range. LiteGear pushed the lower CCT to 2600 degrees Kelvin (K) allowing for candlelight or deep-tungsten output while increasing the CRI to a staggering 95+ — that’s nearly indistinguishable from traditional incandescent sources! On the cool side, the CCT was pushed up to 6200K to better balance for overcast sky or cool white fluorescents. This increase in CCT still achieves a CRI of 95+ and provides beautiful, full-spectrum daylight.

Litemat Series 2

Daily $

Litemat Series 2

Comes in 5 different sizes to learn more about these fixtures visit the LiteGear website.

S2 LiteMat is set to define the next generation of LED lighting fixtures for Cinema, TV, and HD video. S2 LiteMat will change the way you light. It’s thin, lightweight, and is available in five sizes with Hybrid (bi-color) Kelvin temperature.

Building on the success of the original LiteMat, with its thin and ultra lightweight housing, soft color-correct Hybrid (bi-color) output, and convenient mounting options, the S2 LiteMat takes lighting to the next level. The new S2 LiteMat is nearly 40% brighter than the original LiteMat, has better color quality, and a widely extended Kelvin range all without an increase in power draw. In addition, overall CRI increased to 95+ with a matching TLCI of more than 95 as well. With all of these tremendous advancements, S2 LiteMat remains compatible with all existing LiteDimmers, LitePower supplies, and cables.

 

Litepanels Gemini

Daily $

Litepanels Gemini

Flexibility and control are key to the creation of the Gemini 2×1 Bi-Color LED Soft Panel with Standard Yoke and US Power Cable from Litepanels. The aluminum-constructed, 25.0 x 6.5 x 12.5″ fixture has 3 lighting modes. The CCT color temperature control has 6 factory presets in increments from 2700 to 6000K. There are also 6 presets for user-defined color temperature and plus/minus green control. The HSI Color mode allows you to adjust the hue, saturation, and intensity, while Gel mode permits your choice from a library of filters often used by image makers. A firmware update adds a Lighting Effects Mode that includes TV simulation, hue burst, paparazzi, strobe, fire, squares, fireworks, emergency lights, pulse and party lights. The light has a CRI/TLCI rating of 97 for daylight balance and 99 for tungsten balance, indicating a very accurate rendition of color. The Gemini is dimmable from 100 to 0% without flicker or color shift. Settings and features are displayed on the rear LCD screen.

All of these adjustments can be made locally on the unit or remotely via a console, thanks to the Gemini’s built in DMX. There’s even the option of wireless DMX or Bluetooth control via a separately purchased remote module. The Gemini is ready for worldwide use, thanks to its built in 100 to 240 VAC power supply but it can also run on batteries when power is unavailable.

The Gemini has a number of convenience features, such as the ability to stack and gang several lights together with an optional yoke and hardware. You can also daisy-chain multiple lights together in Master/Slave mode, allowing a single designated “Master” light to control the others. This version of the Gemini ships with a standard yoke and a US power cable.

3 Lighting Modes
  • CCT (Correlated Color Temperature) mode allows for bi-color (daylight to tungsten) operation with the addition of plus and minus green adjustment
  • HSI Color mode allows for full color control over hue, saturation, and intensity
  • Gel mode allows for a variety of gels to be selected from the menu
Firmware Update for Special Effects
A firmware update adds a Lighting Effects Mode that includes TV simulation, hue burst, paparazzi, strobe, fire, squares, fireworks, emergency lights, pulse and party lights.
Performance
  • Flicker-free at any frame rate or shutter angle at any intensity level
  • Smooth dimming from 100 to 0%, with no color shift
  • Energy efficient – fixture draws only 325W nominal
  • No heavy external ballast or restrike period
Presets
  • Program user presets on Channel A, which records color and intensity. It also has factory presets on channel B with increments for 2700 to 6000K plus six user-programmable presets
Control
  • Master/Slave mode – connect multiple lights together and control them all from a single master light
  • Optional Bluetooth and wireless DMX modules allow the brightness, color, and cooling mode to be remote controlled
  • Intuitive and ergonomic controls for dimming, color, and fixture set up
Power Options
  • AC/DC power with DC battery power via 3-pin XLR
Durability and Design Features
  • Aluminum core construction to provide maximum durability and superior thermal management
  • Durable, industry standard powerCon locking power connector with ability to daisy chain power
  • Yoke with Junior pin for easy mounting and positioning
  • LCD screen displays vital settings and status
  • Barndoor/honeycomb accessory rails

Litepanel Astra 1x1 BiColor

Daily $

Litepanel Astra 1x1 BiColor

The ASTRA 1×1 Bi-Color panel builds on the legacy of the original 1×1 fixture, which revolutionized the lighting industry. This innovative daylight to tungsten tunable color model was years in the making, with every design element of this next generation panel being meticulously crafted. Following the Litepanels tradition of a one square foot form factor, the ASTRA series is designed with select premium quality, high CRI, surface mount LEDs and paired with custom designed TIR optics. These tightly binned LEDs and fine-tuned optics provide the ASTRA 1×1 with superior color reproduction and a light output that is up to four times brighter than traditional LED panels. This higher intensity results in a longer throw and illuminates a wider area, allowing the panel to compete with strong exterior light sources or illuminate a large area effectively with just a single fixture. See Product Comparison.

  • Output is 4X brighter than the original 1×1 LED panel
    • High performance LEDs with custom paired optics
    • Higher intensity = Longer throw = Wider effective beam spread
  • Superior color reproduction
    • High color rendition (CRI)
    • Adjustable (daylight to tungsten), accurate color temperatures
  • Efficient thermal management with user selectable dual cooling mode
    • Completely silent passive cooling mode
    • Ultra-quiet active cooling mode with double light output
  • Ultra-smooth dimming from 100% to 0
    • No noticeable color shift throughout the entire range
    • Flicker-free at any frame rate or shutter angle
  • Flexible, modular concept
    • Optional communications module allows the brightness, color temperature, and cooling mode to be controlled via DMX512 protocol (Additional module options under development)
    • Optional yoke mounted Gold Mount® or V-Mount battery plates
    • Field replaceable fan module and external power supply
  • Modern fixture design
    • Easily identifiable and ergonomic manual controls for dimming, color, and power status
    • Aluminum I-beam core construction to provide maximum durability and superior thermal management
    • Aluminum accessory mounting points and lens/filter rails
    • End cap exhaust vents angle downward to direct air flow away from the fixture and help prevent foreign material from entering
    • Durable, industry standard 3-pin XLR locking power connector
  • Custom curved yoke design
    • Wide, unobstructed tilt range
    • Yoke mounted power supply and optional battery plates with dual integrated cable guides
    • Removable TVMP connector for flexible mounting options
    • Two alternate ¼-20 mounting points

Quasar Science LED Lamps

Daily $

Quasar Science LED Lamps

The Quasar Science LED lamps are one of the most versatile pieces of LED technology we have to offer. Turn a kino 4 foot head into an led all with integrated color temperature dimmers. No more gels and no more mess hanging from your fixtures.

Linear LED Lamp

The X Crossfade lamps have a wheel at the end of the unit to scroll to the desired setting.

Length and Wattage:

1′ 15watt – Q15X
2′ 25 watt – Q25X
4′ 50 watt – Q50X

Color Temp: 2000k-6000k Crossfade Wheel

Color Rendering Index: 95 CRI +
Flicker Free
Dimmer Compatible
25,000 + Hour Lifetime

Nila Boxer

Daily $

Nila Boxer

The Boxer gives you the most flexibility and best performance for a full range of lighting applications.  From punchy to soft, the Boxer’s holographic film lenses allow you to dial in the perfect look every time.  The Boxer is the perfect upgrade from hot and power-hungry HMIs and tungsten fixtures.  With a power draw of only 200W, flicker-free operation, and powerful output, the Boxer is an indispensable part of any lighting package.

Download Nila’s Boxer Product Data Sheet.

Specifications:

  • 20-30V DC or 90-305V AC Input
  • ETL and CE compliant
  • Draws only 200 watts
  • Power factor corrected
  • Instant On
  • Built-in dimmer
  • Available in daylight or tungsten
  • Color accurate from fixture to fixture
  • Stable color reproduction through entire dim range
  • Flicker-free up to 5000 FPS for full dim range
  • Flicker-free at any speed at 100%
  • Emits no UV or IR
  • Long-life LEDs
  • Built-in Chimera mount
  • DMX controllable
  • Two year limited warranty

Westcott Bi-Color Flex Lights

Daily $

Westcott Bi-Color Flex Lights

Multiple Sizes

1×1 | 3 x 10 | 1 x 2

PRODUCT HIGHLIGHTS

  • Flexible, Moldable LED Panel
  • Bi-Color 2800-6000K Color Temperature
  • Beam Angle: 140-360°
  • CRI: 95-98
  • Splash and Dustproof, IP 64 Rating
  • Thin Profile Measures 0.25″ Thick
  • External Dimmer, 0-100% Control
  • Compatible with Scrim Jim Cine Frames

Westscott Ice Light

Daily $

Westscott Ice Light

The Westcott Ice Light 2 LED light is an enhanced version of its predecessor built on the wish lists of photographers in the field. As their first order of business, Westcott made the light 50% brighter while maintaining its 21.6 x 7.5″ form factor and rendering color-accurate output with a very high CRI of 96. Ten-step dimming is accessed via the unit’s handle which has a built-in digital display. The light also has a USB port and built-in Bluetooth technology for future wireless control. For videographers, Westcott has doubled their efforts to produce a truly flicker-free fixture.

A removable Lithium-ion battery is yet another Ice Light 2 refinement. A 2.5-hour charge gives you 60+ minutes of runtime with the convenience of being able to charge a backup battery outside of the fixture. You can also double your runtime by attaching an optional power pack battery extension. It uses the same charger as the Ice Light 2. Like Its predecessor, the Ice Light 2 is virtually heat-free. Hold it as close as you want to your subject; the closer you get the more Ice Light’s wrap-around quality of light becomes evident. Since it’s virtually heat-free you never have to worry about injuring the talent or damaging the set.

While the ergonomic shape easily lends itself to handheld operation, the Ice Light 2 has a 1/4″-20 tap at each end of it for mounting it to a light stand or other accessory. The Ice Light 2 comes with gel clips, a tungsten-balanced gel filter, 2-way connector, a battery, 100-240 VAC power supply/charger, car charger, cord storage bag and a carry case with shoulder and belt straps.