Arri M90 High Speed
High-speed ballasts are starting to become more important with the high-speed HD cameras. Up until the M90, 4K was the largest wattage high-frequency ballast out there, so it’s such a benefit to have this availability now. This is the biggest, brightest unit you’ll find with a high-speed ballast. Allowing you to shoot at frame rate 1,000 FPS or higher.
Arri M40 High Speed
ARRI’s new generation of ballasts incorporates an AutoScan feature that ensures optimum light and image quality with a minimum of effort for high-speed recording up to 1,000 fps and beyond.
The SkyPanel has been tested here at Redman. We can confirm that this light works at frame rates as high as 2400 FPS.
The Nila Boxer is an excellent replacement for an 800 to 1200 watt HMI, or a 1200 to 2000 watt tungsten fixture, while drawing a mere 250 watts. The Nila Boxer does not flicker or break, even in the harshest environments. Built in dimmers are DMX controllable, and the Boxer’s 90-240 volt supply works anywhere in the world.
Sumo Space Light
• Powerful Output up to 13,500 Lux [1,254 fc] at 3 m [10 ft]
• Bi-Color, Smooth and Accurate Color Adjustment 3,000-6,000 K
• Ultra High Color Rendition TLCI 99, CRI 95
• Interchangeable Optics for 30°, 60°, 120° Beam Angle
• 0-100% Dimming Range
• Flicker Free at Infi nite Frame Rates
• DMX/RDM, Ethernet and Wireless Interfaces
• Passive Cooled, No Fans or Moving Parts
• 500 W Power Consumption • Fixture Weight 5.5 Kg [12 lbs]
Luminys 10K Softsun
|Lamp Type:||Enhanced Spectrum Plasma™|
|Color Temperature: .||5,000º Kelvin|
|Dimensions:||68”L x 23”H x 48″D
(172.72 x 58.42 x 121.92 cm)
Briese Focus 77
Focus 77 is a key-light for ultra-smooth harmonic progressions. Due to its soft reflective reflector-coatings it covers up some errors in the make-up and smoothes out wrinkles, without appearing flat. That makes the focus 77 to one of the most popular Beauty- and Close Up-lights in Photographic- and Filmstudios worldwide.
Our Briese light is offered with a 1.2K HMI or Tungsten globe.
Aura Soft 4K & 2.5K
The OpTex Aurasoft delivers a truly natural soft light where you want it, when you want it and at the power level and color temperature you need. And, being a direct light, there are no diffusers, no reflectors – NO SECONDARY SHADOWS! Whether you’re shooting Film, Video or Stills, in the studio or on location, Aurasoft will deliver an astonishingly even, virtually shadowless, soft natural light of stunning quality across an exceptionally large area.
All these remarkable operational benefits are due to the unique, innovative and patented reflector design. Aurasoft’s superb quality of light is no accident. The reflector consists of thousands of tiny, individual spheroidal convex mirrors. Each mirror reflects angled beams of light that crisscross one another, reducing the directness and producing an effect of softness never before achieved. Moire patterning is avoided by varying the mirror size and position. The reflector is mounted in an all new, extremely robust housing designed to stand up to the rigors of film and video location use and is equally well suited to studio shoots.
Interchangeable HMI and Tungsten lampheads make color temperature changes a simple procedure. All lampheads are dimmable. HMI is compatible with most ballasts available from a wide range of manufacturers.
The Aurasoft 600 is available with a 3K Tungsten, 1.2K HMI or 2.5K HMI lamphead.
4K Arc Light Efx Piggyback
When size is a restriction on any location, clients know to request a ballast-in-head fixture. The 4kw piggyback uses the same lamp head as the standard 4kw fixture, but with the ballast built into the bottom of the unit for space conservation. No head cables necessary!
Arc Light Efx Britelight 7K
The Xenotech Britelight 7000 portable system is the brightest portable searchlight system of it’s size available anywhere in the world. This specialized three-phase searchlight system is designed to withstand the rigors of daily use in motion picture production, rental, and other high demand searchlight applications, the Xenotech Britelight 4000 portable system is a specialized high-wattage searchlight system.
The lamp head optical system utilizes a unique 7000 watt short-arc xenon lamp and a high efficiency short focal length electroformed parabolic reflector to produce the most intense beam of collimated, daylight-balanced light available.
The optical system also incorporates a motorized focus mechanism that allows the beam angle to be adjusted from the lamp head, ballast, or from a remote location when using the optional remote control system. Power control switches located on the rear of the lamp head allow the lamp to be ignited and extinguished at the lamp head as well as the ballast and in remote control locations.
The lamp head cooling system utilizes redundant high-volume, low-velocity blowers to achieve a level of cooling performance far in excess of any comparable system. This level of cooling allows the lamp head to be used in the most demanding temperatures without fear of failure. In addition to its cooling efficiency the cooling system incorporates extensive sound absorbing, vibration dampening, and baffling to minimize the cooling system sound level.
The new Xenotech high-current globe interface allows the globe to be serviced or replaced from the front of the lamp head with just the removal of the front lens holder. The lamp head yoke terminates in a standard 1-1/8″ pin, allowing the use of all stands, hanging, and mounting devices configured for this size pin.
The Britelight 7000 lamp head is safety listed as “suitable of wet locations” by ETL
Cineped Rotational Slider
(1) Camera slider – 3.5ft rotational
(1) Cineped Quattro/ 4leg
(1) 100mm adapter for fluid head
(1) 150mm adapter for fluid head
(2) Carrying Cases
* Fluid head is not included.
Designed for the times where you just want to do a little 6′ to 8′ dolly move without a lot of setup. The Dana Dolly is easy to set up, can be used with a variety of track options, and can be supported using standard junior stands, apple boxes, or the ground, whatever the shot requires.
Whether you’re an established professional or just getting started, the Dana Dolly is a great solution for adding production value to your shoot. Designed to be flexible, affordable, and easy to set up. Designed by a key grip with over 20 years’ experience in all types of production, the design is both simple and practical. The Mitchell Mount can take all types of camera heads with available adapters. The sixteen- wheel design with floating trucks provides a smooth glide. The track ends and center support can use any 1 1/4″ pipe as a track: aluminum, stainless steel, etc. So if you’re on location and don’t want to pack track, you can stop by a homecenter and pick up some pipe or conduit as an alternative to the Schedule 80 aluminum pipe we recommend for everyday use.
eMotimo Spectrum ST4
If you’re renting a Dana Dolly, Motorize it with the eMotimo spectrum ST4. This kit will get you up and running with a motorized 4-axis system. Shooting with heavy payloads? The spectrum / Dana Dolly integration supports up 15lbs for video moves (more than any of the other sliders we integrate with).
Add your spectrum ST4 to your Dana Dolly in minutes. No drilling or custom tools required. Included quick releases and thumbscrews help to keep things easy. Just plug in 2 cables and a battery to shoot 4 axes.
4 axis Controller (Pan/Tilt/M3/M4). Typically Pan/Tilt/Slide/Focus.
Spectrum Size: 7.4 x 7.3 x 5″ (18.7 x 8.5 x 12.7 cm)
Camera support capacity: 15 lbs (6.8 kg)
Weight spectrum ST4: 4.5 lbs. (2.04 kg)
Weight of Integrated LPlate with Fz Motor: 1.5 lbs (0.45 kg)
Weight of Dana Dolly Integration Kit: 3.25 lbs (1.6 kg)
Power: 10.8 – 25.0VDC. 3.5 Amps or V-Mount Battery
Operation Temperature: -22 to 122°F (-30 to 50°C)
MYT Works 6ft Large Glide Camera Slider
The MYT Works Glide slider dollies are known for smooth motion and perfect starts and stops. High quality machining allows for consistent performance and damage resistance over years of use and extreme wear and tear. Large Glide Sliders have a rail span of 9 inches and handle loads up to 150 lbs. They are suitable for any camera from a DSLR to a fully loaded Arri Alexa and any camera in between, including popular Black Magic, Canon, Panasonic, RED and Sony cameras. Designed by a filmmaker to meet the practical needs of camera operators and grips, Glide sliders have a portable, modular design for numerous quick setups in any shooting environment. Backwards compatibility is a feature of all products, so parts won’t become obsolete with upgrades. MYT Works sliders are designed, manufactured and assembled in New York City from machined, industrial-grade, non-corrosive aluminum and steel. ● Carrying weight 14 lbs ● Portable, ready-to-shoot design ● Hybrid sleeve and wheel bearings for naturally damped motion ● Removable Hi-Hat can be used alone, with Rover Dolly or skater dollies ● Quick release latch moves Hi-Hat to alternative setup in seconds ● Mounts on tripods, junior stands, light/baby/c-stands, 19mm or Speedrail legs, large Mitchell camera dollies, baby feet and various grip alternatives ● All camera mounts available: Flat Mount, 75mm, 100mm, 150mm and Mitchell ● 75mm, 100mm and 150mm mounts designed for adjusting the camera head independently of the slider platform ● Rigid extruded rails eliminate need for center support ● Center-mounting and end cap mounting capability ● Easy maintenance, rust and corrosion resistant ● 3-in-1 purchase option available in all sizes ● Underslung capability
8 Ball Slider
• Precision CNC Milling.
• All Hi-quality 6061 Billet Aluminum.
• Quiet Tracks. So you can record sound.
• Over Travel Magnets.
• 3/8-16 Threaded holes down sides and end caps.
• Very Rigid Design max weight 190lb.
• Rotating pan mount with a smooth pan brake.
• Complete slider is Hard Anodized.
• Rotating pan mount is set on 2 tapered roller bearings and the spindle is made from Billet 1144 stress proof steel.
Modern Studio 3 Foot Slider
• 3 Foot Modern Slider
• 75mm Ball
• 100mm Ball
• 150mm Ball
• 2 Slider Bridgeplates
• Road Case
Motor: Brushless, AC, Ball bearing, 1+ Horsepower
Power: 110 – 125v /4 amp or 220v/2.0 (50-60) cycle
(50 or 60 Hz)
Controls: On/Off switch
Weight: 35lbs.16 kg
Measurements: 14″H x 15″L x 8″W (HxWxL): 35x38x21 cm
Warranty: Compressor: 5-year parts and labor
All other components: One year parts and labor
Safety Testing CAL-OSHA
League of American Theaters
The Diffusion Hazer (DF-50) is a patented machine utilizing a triple filtered system that breaks down the Diffusion Fluid (food grade mineral oil blend) to a uniform 1 micron sized droplet. CAL/OSHA has concluded that these airborne mist levels do not exceed OSHA or CAL/OSHA
RE 2 Turbo Fan
Motor: Brushless, AC, Ball bearing
Power: 110 – 125v / 4 amp or 220v / 2.0 amp (50-60) cycle
Controls: Solid state speed control, one touch blast
Weight: 23 lbs.
Measurements: (L x W x H): 14″ x 19″ x 22″
Focused Beam: (Focused Beam): 22 mph at 10ft
10 degrees (3.5 foot diameter beam at 10ft)
Flood: 45 degrees (8ft beam at 10ft)
Warranty: One year parts and labor
Lifetime on housing
OSHA Compliant, CE Approved
The RE-Fan II Turbo incorporates the same durable motor as the RE-Fan with adjustable speed control and one touch blast button. The RE-Fan II has a unique design allowing you to adjust the beam focus.
Now you can go from a focused to flood beam with the touch of a dial. The fan balances beautifully on a versatile mounting yoke, it rests on any surface and attaches to baby or junior receivers.
Mole-Effect Wind Machine 18"
It will become a standard studio fixture; great for ventilation, and drying paint, too.
It is multi-voltage, and is equipped with a tubular steel roll cage for safety, protection, and ease of handling. Stand is not included.
- Moves 2390 cubic feet of air per minute
- Control the speed of the fan from the built-in 6″ rheo-stat
- Integral DMX control through your control board and dimmers
Foldable, easy to store and lightweight. Available in 6 feet or 8 feet.
Sturdy reliable and comfortable. Our directors chairs are kept in spectacular condition.
Keep your production dry and out of the sun with our EZ ups. Every EZ up comes with sides as an option to keep wind and rain out of your EZ up.
We also offer a “Video Village” specific EZ up. This EZ up has a white exterior to keep it cool with a black interior to keep reflections off of your directors monitors.
Titan Radios TR400
Local licensed frequencies are available. Itinerate frequencies licensed statewide/nationwide except
Canada and Mexico.
Line of site transmission can exceed 50 miles. Average coverage area 2-5 miles Country, 1-2 miles City
Coverage may vary depending on environment and weather conditions.
■ 16 Channels 4-5 Watts
■ Repeater Capable
■ 12.5/25 kHz Capable
■ VHF 146-174 MHz
■ UHF 450-470 MHz
■ PC Programmable
■ Priority Scan
■ Voice Scrambler
■ LED Battery Indicator
■ Internal VOX
■ Power Adjust
■ Battery Save
■ Busy Channel Lock Out
■ Wired Clone
■ Adjustable Squelch
18 Bank Charger
This 18 bank charger works along side the Tr400s. This charger unit is great for larger productions and allows you to keep your walkies in a clean, neat, and protected place while charging.
6 Bank Charger
Charges up to 6 Titan TR400s, comes in a pelican case for protection.
This is a single unit charger and can charge your Titan TR400.
Self Contained 10-40 Watt Mobile Base Station
Extends your coverage area especially in rugged terrain. Comes with 12 Volt DC Battery with
AC/DC Charger, Antenna and Speaker Mic. Adds up to 10 hours talk time and 3 days standby.
16 Channel UHF programmable to hand set frequencies. Licensed frequencies in all 50 States.
UHF 10-45 Mobile Repeater
Completely self contained unit and weighs less than 10 lbs. Requires AC/DC power source. This unit can
extend coverage to 100 miles or more with line of site transmission. Works well in rugged terrain and in
extreme locations where productions are remote to base camp or production sites. Use with Mombo
Combo stand to extend antenna height for maximum coverage.
Noise Cancelling Double Muff
These noise canceling headsets work along side the Titan TR400’s. Great for when you are shooting in helicopters or on the ground where noise canceling is beneficial to your production.
Great for your transport crew and anybody that wants a more simple solution to a microphone on set.
Light Duty Head Set
For crew members who prefer the out of ear option.
Hurrican Noise Cancellation Head Set
Rugged design for active users. In ear piece reduces ambient background noise up to 21dB and protects
up to 40dB against loud noises. A great option to the Double Muff Noise Cancelling headset when
person to person direct conversation is required.
Walkie Chest Pack
Great for when you want your walkie to be out of your way on set.
2 Wire Palm Kit
Keep the radio on your belt and your hands on your work. The V1-10180 2-Wire Palm Microphone from Otto Engineering is a black, clip-on speaker microphone, which allows you to talk and listen without reaching for your radio. It features a 5.8′ coiled cable.
CIA Mic / Surveillance
- Transparent wire sits behind the ear; microphone fits directly into the ear canal
- Easily switch between push-to-talk or voice-activated functions
The Easyrig Vario 5 gives you the same advantages as our other Easyrig models with the added benefit of being able to adjust the line tension to adapt to many different cameras and configurations.
The Easyrig Vario 5 still delivers the same steady hand held shots while relieving strain on your back, neck and shoulders. The load is redistributed to the hips allowing you to shoot hand held in comfort for hours.
Ronford-Baker Standard and Baby Legs
Ronford Baker tripods have been the preferred choice of professional cinematographers for over 40 years. Tall & Short tripod versions available as well as 2-Stage. Comes with ground spreader. Options between Mitchell base and 150mm ball.
Hi Hat & Low Hats
- For Heads with Standard Mitchell Base or 150mm ball
- Three Locating Keyways
Arri’s newest geared head offers the highest level of precision and adjustability available in the world of mechanical camera support.
The flagship of OConnor’s Ultimate range of fluid heads.
With its famous features the 2575 fluid head has become the standard for film production. The head includes OConnor’s patented sinusoidal counterbalance system for true, accurate balance at any point in the tilt range. Add to this OConnor’s stepless, ultra-smooth pan & tilt fluid drag, and you’ve got ultimate control and stability for film style shooting.
- (7) levels of drag for both pan and tilt
- Heavy Duty construction
- Max load: 110 pounds
- Tilt: ±60°
- Counterbalance: 22-106 pounds
- Weight: 21 pounds
- Includes Frontbox Mount & Leveling Rod Attachment Rod
- Mitchell Base
- 150mm Base Available– Call for Details
Sachtler Video 18 W/ ENG 2 Carbon Fiber Legs
Manfrotto 509 W/ 536 Carbon Fiber Legs
Arri Follow Focus FF4
Manufactured in sleek black metal, this special edition of our ubiquitous studio follow focus
unit combines a modern look with trusted engineering and a classic design.
- Follow focus system for use with film and cine-style lenses
- Gear ratio of 1:2 is appropriate for a wide range of lens barrel sizes
- Choice of three different focusing knobs (standard, hard stop, 2-speed)
- Compatible with ARRI lightweight support as a slide-on unit
- With adapter, compatible with studio rods systems 15 and 19mm
- Compatible with a wide range of ARRI driver gears and knob accessories
- ARRI reversing gear set available for use with Nikon and Leica lenses
- Economical and robust
- Filter Size: 4″ x 4″, 4″ x 5.65″, 4.5″ round
- Vertical and horizontal filter frames available
- 2, 3 and 4 trays stage available
- Swing away mechanism
- French flag holder
- Requires studio bridge plate, not for 15 mm lightweight support
- Top / bottom and side flags available
- Set of 6 masks available
- 2- or 3-filter metal filter stage guide
- Combo 4×4 / 4×5.65″ filter frames
- Compatible with all LMB-5/15 filter frames, Clamp Adapters and light shields
- Wide angle hood easily removable on set with captive screws
- Securing loop on main frame for crane and vehicle use
- 5×5″ filter frames
- Bottom Flag attachments
- Carbon Top/bottom flag
- Set of 5x mattes
- 3/8″ top mount for accessories such as ultrasonic devices
- Bottom mounted tray securing catch for crane and vehicle use
The MB-14 is a production matte box for 19 mm or 15 mm studio support, designed for wide-angle and large diameter lenses.
Maximum filter size 6.6″ x 6.6″ / round 6″. Standard configuration with 4-filter stage; several other filter stages possible
One of each filter frame pair toothed for operation by knob or flexible shaft Swing away 90° to the front, with top / bottom and side flags, set of masks and French flag holder.
Note: Requires 19 mm or 15 mm studio bridge plate or ARRI QR-HD1 baseplate. Not for lightweight support.
- Maximum filter size 6.6″ x 6.6″ / round 6″
- Standard configuration with 4-filter stage; several other filter stages possible
- One of each filter frame pair toothed for operation by knob or flexible shaft
- Swing away 90° to the front
- Top / bottom and side flags
- Set of masks and French flag holder
- Wide carrier MB-14-W for lenses from 9.8 mm
Tilta Spider Grips
These Arri-rosette, or rod mountable hand grips can be positioned in any way you need to create rock-solid hand placements for your operator.