The Easyrig Vario 5 gives you the same advantages as our other Easyrig models with the added benefit of being able to adjust the line tension to adapt to many different cameras and configurations.
The Easyrig Vario 5 still delivers the same steady hand held shots while relieving strain on your back, neck and shoulders. The load is redistributed to the hips allowing you to shoot hand held in comfort for hours.
Ronford-Baker Standard and Baby Legs
Ronford Baker tripods have been the preferred choice of professional cinematographers for over 40 years. Tall & Short tripod versions available as well as 2-Stage. Comes with ground spreader. Options between Mitchell base and 150mm ball.
Hi Hat & Low Hats
- For Heads with Standard Mitchell Base or 150mm ball
- Three Locating Keyways
Arri’s newest geared head offers the highest level of precision and adjustability available in the world of mechanical camera support.
The flagship of OConnor’s Ultimate range of fluid heads.
With its famous features the 2575 fluid head has become the standard for film production. The head includes OConnor’s patented sinusoidal counterbalance system for true, accurate balance at any point in the tilt range. Add to this OConnor’s stepless, ultra-smooth pan & tilt fluid drag, and you’ve got ultimate control and stability for film style shooting.
- (7) levels of drag for both pan and tilt
- Heavy Duty construction
- Max load: 110 pounds
- Tilt: ±60°
- Counterbalance: 22-106 pounds
- Weight: 21 pounds
- Includes Frontbox Mount & Leveling Rod Attachment Rod
- Mitchell Base
- 150mm Base Available– Call for Details
Sachtler Video 18 W/ Flowtech 100, or Speedlock 100 Carbon Fiber Tripod
Sachtler Aktiv8 W/ Flowtech 75 Carbon Fiber Tripod
Manfrotto 509 W/ 536 Carbon Fiber Legs
Arri Follow Focus FF4
Manufactured in sleek black metal, this special edition of our ubiquitous studio follow focus
unit combines a modern look with trusted engineering and a classic design.
- Follow focus system for use with film and cine-style lenses
- Gear ratio of 1:2 is appropriate for a wide range of lens barrel sizes
- Choice of three different focusing knobs (standard, hard stop, 2-speed)
- Compatible with ARRI lightweight support as a slide-on unit
- With adapter, compatible with studio rods systems 15 and 19mm
- Compatible with a wide range of ARRI driver gears and knob accessories
- ARRI reversing gear set available for use with Nikon and Leica lenses
- Economical and robust
- Filter Size: 4″ x 4″, 4″ x 5.65″, 4.5″ round
- Vertical and horizontal filter frames available
- 2, 3 and 4 trays stage available
- Swing away mechanism
- French flag holder
- Requires studio bridge plate, not for 15 mm lightweight support
- Top / bottom and side flags available
- Set of 6 masks available
- 2- or 3-filter metal filter stage guide
- Combo 4×4 / 4×5.65″ filter frames
- Compatible with all LMB-5/15 filter frames, Clamp Adapters and light shields
- Wide angle hood easily removable on set with captive screws
- Securing loop on main frame for crane and vehicle use
- 5×5″ filter frames
- Bottom Flag attachments
- Carbon Top/bottom flag
- Set of 5x mattes
- 3/8″ top mount for accessories such as ultrasonic devices
- Bottom mounted tray securing catch for crane and vehicle use
The MB-14 is a production matte box for 19 mm or 15 mm studio support, designed for wide-angle and large diameter lenses.
Maximum filter size 6.6″ x 6.6″ / round 6″. Standard configuration with 4-filter stage; several other filter stages possible
One of each filter frame pair toothed for operation by knob or flexible shaft Swing away 90° to the front, with top / bottom and side flags, set of masks and French flag holder.
Note: Requires 19 mm or 15 mm studio bridge plate or ARRI QR-HD1 baseplate. Not for lightweight support.
- Maximum filter size 6.6″ x 6.6″ / round 6″
- Standard configuration with 4-filter stage; several other filter stages possible
- One of each filter frame pair toothed for operation by knob or flexible shaft
- Swing away 90° to the front
- Top / bottom and side flags
- Set of masks and French flag holder
- Wide carrier MB-14-W for lenses from 9.8 mm
Tilta Spider Grips
These Arri-rosette, or rod mountable hand grips can be positioned in any way you need to create rock-solid hand placements for your operator.
The Preston Hu4 Offers improved lightranger functionality, as well as significantly streamlined lensmapping functions. Other updates from the HU3 include Diopter offsets, select camera control, and more!
Preston FIZ3 with HU3 and MDR3
The Preston FIZ3 is the industry standard for reliable wireless focus. It interfaces easily with nearly all focus aides on the market, and provides more than enough torque to handle even the stiffest lenses.
Preston Single Channel wireless control
The Preston single channel is ideal for situations where either the DP or DIT wants to take control of Iris from the First AC’s FIZ3 unit, or if you’re just looking for a simple, reliable way to pull focus without a full FIZ kit.
The Arri Hi-5 Offers the absolute highest degree of integration with arri cameras such as the Alexa 35 or Alexa Mini LF, with full camera control, focus, iris, zoom, automatic lens mapping for lenses using Arri LDS2, Cooke /i Data, and Zeiss Extended Data. Arri’s Smart Rings make changing your pre-marked ring as fast as physically swapping the ring! No more menu systems to select a new one!
Arri WCU-4 with CForce Mini motors
The Arri WCU-4 is one of the most popular focus units on the market today. It interfaces directly with most Arri cameras, allowing you to drop the cumbersome MDR units that come with most wireless focus solutions.
Cforce Mini RF
Moon Smart Focus
The Moon Smart Focus utilizes a combination of I.R. rangefinder technology, and optical triangulation via 3x cameras inside the lightweight sensor bar. Working in tandem with Moon’s AI tracking software, this system finds eyeballs, custom points, or objects and tracks them in real-time down to the fraction of an inch! Never before has this level of precision and reliable help been available to help your focus puller.
Data collected from roughly 1-years’ worth of shows using Moon, and shows not using moon suggest that shoots that did employ the system captured an average of 20% more usable footage.
Preston Light Ranger 2
The Preston Light Ranger 2 utilizes some of the most advance rangefinding technology available to the cinema world. It will give your AC an extra layer of confidence and help ensure that your focus is tack sharp every time it needs to be.
The CineRT Focus Bug utilizes both a standard Horn-Style Rangefinder sensor, as well as an optional ultrasonic “BUG.” A small electronic tag that can be placed in your subject’s pocket to send millimeter accurate distance information directly to your AC’s focus unit.
The Cinetape as been an industry standard focus aid for years. It can be plugged into your MDR unit to send distance readings directly to your AC’s hand unit to help them see slight changes in critical focus that the human eye might not see.
Teradek Bolt 3000XT
The Teradek Bolt 3000 XT is the newest HD zero-delay transmitter from Teradek, offering improved pairing reliability, and improved form factor.
The XT is compatible with: SmallHD Bolt SK RX monitors, 3000XT receivers, Sidekick receivers, and is backwards compatible with the Bolt Pro 3000.
Our Bolt 3000 receivers come outfitted for Anton Bauer Gold Mount.
Teradek Bolt Pro 3000
Transmit uncompressed 1080p video wirelessly over 3000 feet line-of-sight with the Teradek Bolt Pro 3000 Wireless Video Transmitter/Receiver Set. Included in this set are a Teradek Bolt Pro 3000 transmitter and receiver, both equipped with 3G-SDI input/output. The transmitter can pair with and multicast to up to four receivers (additional receivers not included). When transmitting uncompressed video, latencies of less than one millisecond can be achieved if no other video processing is necessary.
Teradek Bolt 2000
The Teradek Bolt Pro 2000 3G-SDI/HDMI Wireless Video Transceiver Set is a latency free wireless transmission system that sends 4:2:2, 1080p60 video up to 2000 ft over the unlicensed 5GHz band. It includes one transmitter and one receiver, both featuring 3G-SDI and HDMI connections. Both can also be outfitted with high gain antennas for increased range and resiliency.
Teradek Bolt 500XT
The Bolt 500 gives you all the benefits of the 3000XT’s improved pairing and signal reliability, with a lower price point, and shorter range for when that 3000 feet is not needed.
The Bolt 500 is compatible with the Small HD Bolt SK RX monitors, as well as 500XT, 500LT, and Sidekick receivers.
VCLX Anton Bauer Cine CA 560 Wh
VCLX Anton Bauer Cine CA 560 Wh
- 14.4V and 28VDC Output
- 560 / 336 Wh
- Nickel Metal Hydride Technology
- 4-Pin, 3-Pin XLR and 8-Pin Lemo
- Cine Alta Version
Anton Bauer Dionics
Anton Bauer Dionics
- 91 Watt Hours Peak (83 Wh Typical)
- 10 Amps
- Maxx Warranty
- Real Time LCD
SmallHD 1703 Bolt SK RX
The SmallHD 1703 Bolt SK RX combines the extremely popular P3X Panel with a built-in Teradek Sidekick receiver, providing you with impeccable color reproduction, and allowing you to leave your BNC Cables on the truck.
SmallHD 1303 Bolt SK RX
The SmallHD 1303 Bolt SK RX combines all of the Bolt 1703’s characteristics into a smaller, 13″ package. This monitor has become one of the most popular focus reference units for AC’s on the market.
Sony 17" PVM-A170 OLED Production Monitor
The long time standard in OLED production monitors, this monitor combines reliability with flawless color reproduction.
Sony 17" LMD-A170 LCD Production Monitor
Bringing the reliability and controls of the PVM A170 to an LCD pannel, the LMD-A170 is a fantastic option for those looking to get industry standard performance, at a lower price-point.
SmallHD 703 Bolt SK RX
Adding a built-in Teradek sidekick receiver to the already amazing 703 Ultrabright monitor, this becomes the perfect monitor to let your Director or AC roam where they need to on fast-paced shoot days.
SmallHD Cine7 SK RX
SmallHD’s smaller, lighter alternative to the 703 Bolt. Featuring a touch screen, and no user buttons to add confusion, this monitor is the perfect solution for a handheld director’s monitor. Allowing your Director to move as they please, and not be bogged down by technology.
SmallHD Cine7 TX
The Cine7 TX is an ideal solution for operators that prefer a larger monitor, without an extra video transmitter. Boasting a Teradek Bolt 500 XT transmitter, this monitor can pair with the SmallHD Bolt SK RX monitors, as well as any of the 3rd gen Bolt 500 receivers and newer.
This monitor can also be configured to control your RED camera’s menu system. Please inquire about Arri control.
Small HD 703 Ultrabright (Onboard)
1080P 7-Inch LCD Monitor with 2200 nits Brightness
The Brightest 7-inch monitor available with HDR Preview, Waveform, 3D LUT support and 12v Lemo power
Small HD 702 (Onboard)
Small HD 702
- 7″ Daylight Viewable 1080p Display
- 1000 cd/m² Brightness
- 1000:1 Contrast; 179° Viewing Angle
- Bonded Glass; Anti-Reflective Coating
- Waveform, Custom LUTs, De-Squeeze & More
- HD-SDI and HDMI Inputs and Outputs
- Dual L-Series and LP-E6 Battery Support
- Headphone Jack
- 12 Switchable Pages of Favorite Features
- Aircraft Grade Aluminum Unibody
Small HD 502 (Onboard)
Small HD 502
- 5″ 1920 x 1080, HDMI & SDI Monitor
- 441 Pixels-Per-Inch Display
- HD Scopes
- HDMI & SDI In/Out with Cross Conversion
- 3-Second Boot Time
- User Definable Presets
- Discrete Display/Output 3D LUT Support
- Joystick Menu Navigation
- Compatible with Optional Sidefinder
Small HD AC7 (Onboard)
Small HD AC7
- Rich-Color 7.7″ OLED Display
- Produces True Blacks, High Color Gamut
- Gorilla Glass Screen
- 1280 x 800 Resolution
- SDI, HDMI, Analog Inputs; SDI Output
- Focus, Exposure, and Framing Tools
- Push-In Scroll Wheel Menu Control
- Two Assignable Function Buttons
- Weighs Less than 1 lb
- Supports V-Mount/Gold-Mount/DV Brackets
Panasonic BT-LH1710 (Field Monitor)
High-speed response – no blurring thanks to our overdrive circuit Industry’s lowest delay – Image Processing Circuit (I/P conversion algorithm) Waveform monitor – a superimposed function that graphically displays luminance levels from zero to 110 IRE in any of the monitor’s four corners Freeze frame / split screen – frame grab for scene comparison and critical color matching Two dual-rate SDI HD or SD inputs – (one with Thru-Out) with auto sensing Component Input on BNC connectors – Y Pb Pr and PC RGB inputs Faithful color reproduction – closely matches chromatic ranges of CRT monitors Diagonal line compensation – smoothes out jaggies for improved SD response WXGA resolution (1280 x 768) 176 degree viewing angle up/down and left/right One-piece design – no umbilical cord or separate AC power supply Frame marker lines – 4:3 16:9 2.35:1 or background shading at 0% 50% or 100% Amplified stereo speakers – two RCA pin jacks input or optional de-embedded audio on SDI AC or DC power – 117 Volt AC or 12 Volt DC inputs (4-pin XLR) Color temperature selection – D9300K / D6500K / D5600K / User Settable CineGammaTM (FILM-REC) compensation – expressly for VariCam monitoring GPI and RS-232C ports for external control Preset / manual picture adjustments with indicator lights Desk stand included